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$30 estate-sale Abercrombie painting sells at Freeman's for $1.35m, an artist record

An anonymous collector bought a small Gertrude Abercrombie painting for $30 at a Michigan estate sale. It sold at Freeman's in New York on 1 October for $1,352,600 including premium, a record for the artist.

2 outlets · 0L · 2C · 0R First reported Account updated
Image: The Times of India
Image: Gulf News

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The story, neutrally told

Centre · 2A small Gertrude Abercrombie painting bought for $30 at an estate sale in Kalamazoo, Michigan, sold at Freeman's auction house in New York on 1 October for $1,352,600 including the buyer's premium. Centre · 2The hammer price was $1.06 million, against a Freeman's estimate of $150,000 to $250,000, and five telephone bidders and several online bidders competed for the work. Centre · 2It is a new auction record for Abercrombie and the first of her works to pass $1 million.

Centre · 2The anonymous collector spotted the signature ("abercrombie '51") on an 8-by-11-inch canvas of seashells, but knew a signature was no proof of authenticity. Centre · 2The collector changed family holiday plans to visit the Milwaukee Art Museum exhibition "Gertrude Abercrombie: The Whole World Is a Mystery", where the catalogue showed a 1952 Chicago Tribune photograph of the same painting in its original frame beside the actual shells. Centre · 2Dr Susan Weininger, an Abercrombie scholar and professor emerita of art history at Roosevelt University, examined and authenticated the work, titled Alderman Merriam's Shells (1951), which had been out of public view for about 75 years.

Centre · 2The painting shows nine seashells on a slate-grey surface with one conical shell hanging by a thread against a black wall; the shells belonged to Robert Merriam, alderman of Hyde Park, the Chicago neighbourhood where Abercrombie lived and worked. Centre · 2It was shown in six solo exhibitions in 1952 and 1953. Abercrombie gave it to Dr John Reynolds of Kalamazoo in exchange for medical services, and it stayed with his family until this year. Centre · 1The collector consigned it to Freeman's, which had sponsored the Milwaukee exhibition. Freeman's said it was a rare instance of the artist painting directly from life, suggesting the shell motif in her later shell paintings was drawn from observation and memory.

Centre · 1Zack Wirsum, Senior Vice President and Head of Post War & Contemporary Art at Freeman's, called the result a storybook ending and said the firm was happy for the "eagle-eyed consignor".

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left0 outlets

No left outlet in our sources has covered this story yet.

Centre2 outlets

Framing
Both outlets tell it as a feel-good, fairy-tale discovery story, opening with the $30 purchase and ending on the $1.35m result.
Emphasis
The collector's sharp eye and detective work, the painting's provenance, and the price jump against the estimate.
Leaves out or plays down
Neither gives the buyer's identity or independent comment beyond Freeman's; Gulf News attributes details to unnamed 'reports'.
Charged language
“masterpiece”“fortune”“No fairytale would be complete”
For example
“Imagine making a fortune out of $30!” — The Times of India
“A $30 gamble had become a $1.35 million masterpiece.” — Gulf News

Right0 outlets

No right outlet in our sources has covered this story yet.