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Bradford 12 documentary 'Rebellion' premieres at BFI London Film Festival

Ken Fero and Tariq Mehmood's documentary 'Rebellion', about the 1981 trial of the Bradford 12, world-premiered at the BFI London Film Festival on 14 October. Coverage so far is from two left-leaning outlets: an interview with Fero and a Guardian review.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: The Hollywood Reporter
Image: The Guardian

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The story, neutrally told

Left · 1'Rebellion', a documentary by activist filmmakers Ken Fero and Tariq Mehmood, world-premiered at the 70th BFI London Film Festival on 14 October 2026. Left · 1The film retraces the case of the Bradford 12: young South Asian men who, in the early 1980s, stood trial on terrorism charges for preparing to defend their community from a racist attack. Mehmood is himself one of the Bradford 12. Left · 1The Guardian's review describes the defendants as twelve south Asian members of the United Black Youth League, arrested in 1981 on a charge of conspiracy to cause explosions for possessing dozens of petrol-filled milk bottles, allegedly to throw at police.

Left · 1A mixed-race jury acquitted them, accepting their argument that it was self-defence and that the items were closer to fireworks than bombs, because black and Asian communities were routinely attacked by skinheads and racists. Left · 1Fero told The Hollywood Reporter the project grew from his meeting Mehmood in 1991 and took roughly 30 years to come to fruition, with three or four years spent making the film. He said he chose to make it now because of the growth of the far right and the vilification of migrants. Left · 1Fero said the film seeks to tell white working-class communities that "Your problems are created by Elon Musk, not by migrants", and he compared the Bradford 12's treatment to the accusations of terrorism faced by supporters of Palestine Action, which has been designated a terrorist organisation in the UK since 2025.

Left · 1Fero also said community members, including Bradford 12 members, acted as editorial consultants, and that the trial scene, about a third of the film, was shot in one day with around 120 community volunteers rather than professional actors. Left · 1Reviewing it for the Guardian, Peter Bradshaw called it a "fierce film" that places the case in the context of 1980s racism, including Thatcher's "swamped" remark, the death of Blair Peach, the New Cross fire and the Anwar Ditta case. Left · 2Bradshaw's one criticism was that, despite the film's emphasis on solidarity and its use of National Front footage, no interviewee says the word "antisemitism". Fero, by contrast, said in the interview that the film notes support the Bradford 12 received from progressive Jewish organisations.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Both outlets treat the film sympathetically as a timely work about anti-racist resistance. The Hollywood Reporter runs an interview with Fero linking it to the contemporary far right; the Guardian reviews it as a reminder of Britain's racist past.
Emphasis
Parallels between the 1980s and today, community involvement in the film, hope and solidarity; the Guardian adds historical context of 1980s racism.
Leaves out or plays down
No right or centre outlets covered it, so there is no critical view of the film's politics or of the original case. Neither piece includes comment from police or authorities.
Charged language
“fierce film”“forces of evil”“proto-fascist groups”
For example
“why cinema can be a weapon” — The Hollywood Reporter
“This fierce film from socialist film-makers Ken Fero and Tariq Mehmood” — The Guardian

Centre0 outlets

No centre outlet in our sources has covered this story yet.

Right0 outlets

No right outlet in our sources has covered this story yet.

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