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Carol Morley's '7 Miles Out' premieres in competition at BFI London Film Festival

Carol Morley's film adaptation of her semi-autobiographical novel, set in 1970s–80s Stockport and starring Lucy Halliday, world-premiered in the BFI London Film Festival's official competition. The Hollywood Reporter interviewed Morley; The Guardian's Peter Bradshaw reviewed it warmly.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: The Hollywood Reporter
Image: The Guardian

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The story, neutrally told

Left · 2British writer-director Carol Morley has adapted her semi-autobiographical novel 7 Miles Out, about her adolescence in Stockport near Manchester in the 1970s and 1980s, into a feature film. Left · 1The film had its world premiere in the official competition of the BFI London Film Festival on Saturday 17 October and is due for release in UK and Irish cinemas in 2027. Left · 2Lucy Halliday plays Ann, who struggles with grief after the death of her father, played by Aidan Gillen, and finds escape in the punk and new-wave scene and in her friendship with Hel; Gemma Whelan plays her mother, and Kasper Hilton-Hille her brother.

Left · 1The soundtrack features Joy Division, New Order and The Raincoats, and the plot turns on Joy Division singer Ian Curtis's suicide; original songs were written by Morley and Carly Paradis, with cinematography by Agnès Godard and editing by Raluca Petre. Left · 1In an interview with The Hollywood Reporter, Morley said the story is based on her father and his suicide, that she wanted audiences to feel catharsis and lightness rather than despondency, and that she hoped to help people talk about suicide. Left · 1Morley said she held an open casting call in Stockport attended by 450 people, that many of the cast are first-timers, that the shoot was on a tight budget within a 15-minute radius in Stockport, and that the songs are sung live.

Left · 1Peter Bradshaw's Guardian review called the film "rich, tender and terribly funny and sad", praised Halliday's performance and Gillen's portrayal of the father, and compared some touches to Terence Davies. Left · 1Bradshaw described the film as a story of reinventing one's teenage self as family stability collapses, and of the sadness behind punk and new wave, concluding it is "a poignant, smart film" that is "such a pleasure".

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Both outlets treat the film warmly: The Hollywood Reporter runs a promotional Q&A with Morley on adaptation, grief and casting; The Guardian publishes an enthusiastic review.
Emphasis
Grief, suicide, music and friendship; the cast's performances; Morley's personal source material.
Leaves out or plays down
No critical reservations are voiced; neither piece includes other critics' or audience reactions.
Charged language
“rich, tender and terribly funny and sad”“poignant, smart film”
For example
“7 Miles Out is as much a story about finding one’s own voice and creativity as it is an ode to friendship.” — The Hollywood Reporter
“A daring, rich and funny study of the ordeal of having to invent and reinvent your own teenage sense of self” — The Guardian

Centre0 outlets

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Right0 outlets

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