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Celebrity Traitors producer Stephen Lambert on ratings, casting and Tom Cruise

In a Radio Times interview, Studio Lambert's Stephen Lambert credits "dramatic irony" for The Celebrity Traitors' large BBC One audiences and names Tom Cruise as a dream contestant. The Guardian then reported on the interview.

2 outlets · 1L · 1C · 0R First reported Account updated
Image: Radio Times
Image: The Guardian

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The story, neutrally told

Mixed · 2Stephen Lambert, head of Studio Lambert, which makes The Celebrity Traitors, told the Radio Times the show has "universal appeal" and has established itself as "appointment to view TV". Centre · 1Radio Times reports that nine million people watched the series opener on 1 October. It says 83.5 per cent of 16-34-year-olds watching TV at the time tuned in, which it puts at 1.6 million young people. Left · 1The Guardian says more than 10 million people have tuned in for some episodes, well over half of those watching TV in the slot. It also says 1.6 million viewers aged 16-34 watched the series premiere. It presents this as bucking a long-running decline in mass TV audiences.

Mixed · 2Lambert says the key to the show's success is "dramatic irony": viewers know who is lying and enjoy watching players try to work out who the liars are. Centre · 1On casting, Lambert says it was simple because so many famous people took part last year that they wanted to join this year. Asked for dream contestants for a likely third series, he named "Tom Cruise, maybe" and a big sports star, adding that active sportspeople have commitments. Centre · 1He says celebrities find the game uncomfortable because they have "so little control", and that it reveals character. Asked about Richard E Grant's early reveal that he was a Traitor, he called it "jaw dropping", and said he would himself be a Traitor.

Centre · 1Radio Times reports that an episode is estimated to cost around £1 million, almost double a normal reality show. It also reports that the US celebrity version, presented by Alan Cumming and shot in the same Scottish castle, is reportedly budgeted at about $2 million an episode. Centre · 1Radio Times also reports a stage show, The Traitors – Acts of Betrayal, due at London's Gillian Lynne Theatre next May and hosted by Nick Mohammed. Lambert says documentaries are now "almost impossible" to get people to watch. Left · 1The Guardian adds context that Radio Times does not carry. It says imitators such as Channel 4's The Inheritance and ITV's The Neighbourhood have been attempted, and that sports stars are hard to book because agents and clubs guard their media activity. It also quotes Jonathan Glazier, a former head of BBC light entertainment, who says nobody knows the secret: "Don’t you think if we knew, every show would be a Traitors?"

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left1 outlet

Framing
The Guardian recasts the Radio Times interview as a story about a rare mass-audience hit reviving television's ability to unite the nation, and about the industry's failed attempts to copy it.
Emphasis
Audience size against the decline of mass TV, imitators, the difficulty of booking Tom Cruise or sports stars, and an industry insider's caution that no one knows the formula.
Leaves out or plays down
Leaves out the budget figures, the stage show, Lambert's remarks on documentaries and the Richard E Grant moment.
Charged language
“juggernaut”“bucked a long-running trend”
For example
“its popularity is staving off the death of television’s ability to unite the nation.” — The Guardian
“In doing so, it has bucked a long-running trend that has seen mass TV audiences become increasingly rare.” — The Guardian

Centre1 outlet

Framing
Radio Times runs a warm, fan-oriented interview with the producer, covering ratings, casting, the Richard E Grant moment and the stage spin-off.
Emphasis
Lambert's own explanations, with behind-the-scenes detail on budgets, the US version, the stage show and the shift away from serious documentaries.
Leaves out or plays down
Gives no outside industry comment or discussion of rival copycat formats. It reports the opener's nine million audience, not the 10 million-plus peak the Guardian cites.
Charged language
“juggernaut”“mastermind”“holy watercooler show”
For example
“The person responsible for this juggernaut – as part of the wider team at Studio Lambert, he’s very keen to stress – is producer Stephen Lambert.” — Radio Times
“you would be a fool to bet against Stephen Lambert.” — Radio Times

Right0 outlets

No right outlet in our sources has covered this story yet.

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