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Cynthia Erivo says intimacy coordinators get too little credit, at London Film Festival talk

At a BFI London Film Festival Screen Talk on Monday, Cynthia Erivo praised intimacy coordinators and said she hopes her film Prima Facie prompts debate about consent and how Black women's experience of sexual assault is seen.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: Variety
Image: The Hollywood Reporter

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The story, neutrally told

Left · 2Cynthia Erivo spoke at a Screen Talk at the London Film Festival on Monday 12 October about her new film Prima Facie, and said that intimacy coordinators do not get enough credit. Left · 1In the film, her first role since Wicked, she plays Tessa Ensler, a defence lawyer who is sexually assaulted by a colleague. It is based on Suzie Miller's stage play, premiered at the Toronto Film Festival last month, and has its U.K. debut at the London festival on Tuesday, according to Variety. Left · 2Erivo said: "I think not enough credit is given to intimacy coordinators", adding that they are often given a hard time, that their work is important, and that it is not only about choreographing sex or love scenes but also about making sure everyone returns to their bodies safely from harrowing scenes. Variety reports the remark drew applause.

Left · 1She said the film's intimacy coordinator, Lizzy Talbot, helped create a very safe space for filming the assault scene. Erivo called the scene "really hard" and said the hardest part was coming back from filming it. Left · 2Erivo also praised co-star Daniel Ings, who plays the lawyer who assaults Tessa, saying that from the start he wanted to talk about how they could protect one another so they could go as far as needed and then come back. Left · 2She said she hopes the film starts a conversation about consent, which she described as more about how a "no" is received than how a "yes" is seen, and about "preconceived notions about how Black women particularly experience pain". She said Black women are rarely shown in films as sexual assault victims and that such assaults are often not reported.

Left · 2On her career, Erivo said she knew immediately that she wanted to do Prima Facie, which she also produced, and that she says no to many roles, guided by an "internal metronome". She said she is in her "villain era" and wants complicated, gritty roles, and recalled that Michelle Yeoh keeps asking when she will direct. Left · 1She also described her approach to playing Elphaba in Wicked as seeking similarities with the character and making her "as true as possible", according to Variety.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Both trade outlets report the talk as a sympathetic, quote-led account of Erivo's remarks. Variety leads with intimacy coordinators and the difficulty of filming the assault scene. The Hollywood Reporter leads with consent and how a "no" is received.
Emphasis
Variety stresses safety on set, the role of coordinator Lizzy Talbot, Black women being overlooked in discussions of assault, and Wicked and her 'villain era'. THR stresses the consent debate, her habit of turning down roles, her production company, and mentor Michelle Yeoh.
Leaves out or plays down
THR does not name the coordinator or mention the Toronto premiere or the UK debut date. Variety does not mention Yeoh or the consent framing around 'no'.
Charged language
“candidly”“harrowing”
For example
“Cynthia Erivo spoke candidly about the importance of working with an intimacy coordinator” — Variety
“Cynthia Erivo knows when to say “yes” and “no” to roles, and she hopes her new film will cause a debate about how the word “no” is received” — The Hollywood Reporter

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