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Bowie immersive concert 'Stage' to premiere in Berlin on 14 February 2027

The Berlin Film Festival announced the world premiere of 'Stage', Brett Morgen's immersive David Bowie concert built from restored 1978 tour footage, at Berlin's Uber Arena on 14 February 2027.

5 outlets · 3L · 2C · 0R First reported Account updated
Image: Variety
Image: Deadline
Image: Evening Standard
Image: The Guardian

1 / 4

The story, neutrally told

Mixed · 2The Berlin Film Festival has announced that David Bowie "Stage", an immersive concert experience from documentary maker Brett Morgen, will have its world premiere on 14 February 2027 at Berlin's Uber Arena. Centre · 1The 77th Berlinale runs from 10 to 21 February 2027, and the Deadline report puts the arena's capacity at 17,000. Left · 1The show is designed around recently discovered and restored footage from Bowie's 1978 Isolar II World Tour, when he performed material from the album "Heroes".

Left · 2Morgen found the original camera negatives while working on Moonage Daydream, his 2022 Bowie documentary; the Guardian says they were 35mm cans marked "Stage" in Bowie's archive and show Earl's Court concerts that had been unseen for almost 50 years. Mixed · 2The presentation uses three screens, large-scale projections and transparent LED screens, with lighting by Patrick Woodroffe and a 7.1 surround mix by Oscar winner Paul Massey. Mixed · 2It is a collaboration between Rob Hallett's Wonderworld, the David Bowie Estate and Morgen; Hallett, a former AEG International president, said it would be "100% faithful to his legacy".

Mixed · 2Berlinale director Tricia Tuttle called it "a dream come true" and said a Berlin premiere was especially meaningful given the city's links to Bowie, who lived there in the mid-1970s. Left · 1Morgen will also be a headline speaker in the talks programme of the Berlinale's European Film Market. Centre · 1The Evening Standard reports that tickets go on general sale on 30 October at 9am, with a presale from 28 October, and that Morgen began discussing the project with Bowie's estate in 2018, with it moving towards reality in 2024.

Left · 1Morgen told the Guardian the team spent over 1,000 hours colour-grading, that it is "not a movie that's being shown in arenas", and that the performance is from 1978 but the presentation is 2027; he said the tour would then play arenas, not cinemas. Mixed · 2Coverage differs on scope: the Evening Standard says the show will bring footage to arenas around the world, while the trade reports focus on the Berlin premiere.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left3 outlets

Framing
Trade and arts coverage presenting the premiere as a festival and filmmaking story, with the Guardian adding an interview with Morgen on the footage.
Emphasis
Morgen's filmography, technical credits, and in the Guardian the history of the 1978 Earl's Court footage.
Leaves out or plays down
Ticketing details are not reported in these articles.
Charged language
“holy grail of Bowie artefacts”“greatest filmed performance”
For example
““It’s not a movie that’s being shown in arenas,” he insists.” — The Guardian
“David Bowie is coming back to Berlin.” — The Hollywood Reporter

Centre2 outlets

Framing
Deadline treats it as a festival announcement; the Evening Standard frames it for fans as Bowie's likeness returning to the stage.
Emphasis
Deadline: collaborators and credits. Standard: ticket dates, Bowie's career and death.
Leaves out or plays down
Neither mentions the Earl's Court origin of the footage.
Charged language
“groundbreaking”
For example
“Singer David Bowie’s likeness will appear on stage more than a decade after his death” — Evening Standard
“a new way of experiencing one of the most influential artists of the 20th century” — Deadline

Right0 outlets

No right outlet in our sources has covered this story yet.

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