Miley Cyrus plays first of two Hollywood Bowl 'Bass Persuades' shows, reviewed
Miley Cyrus played the first of two sold-out Hollywood Bowl concerts on Friday 16 October in support of the album "Bass Persuades". Variety and The Hollywood Reporter both noted a tribute to Dolly Parton and a set weighted toward new material, but judged the show differently.
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The story, neutrally told
Left · 2Miley Cyrus, 33, played the first of two Hollywood Bowl concerts on Friday 16 October 2026, in support of the album "Bass Persuades". VarietyLC “the first of two concerts Cyrus is performing in Los Angeles in support of her latest album “Bass Persuades,”” Read at Variety ↗ The Hollywood ReporterLC “Friday’s concert, the first of two this weekend, was held in support of her latest album Bass Persuades.” Read at The Hollywood Reporter ↗ Left · 2The Hollywood Reporter called it Cyrus's first major concert in four years and said it was nearly a decade since the last large-scale world tour; Variety described it as a first major show in years, noting that the 2013 "Bangerz" tour was the last extensive one and that Cyrus had staged only two fans-only shows, in Los Angeles and Paris, in recent years. The Hollywood ReporterLC “it’s been a near-decade since her last large-scale world tour, and four years since her last major concert.” Read at The Hollywood Reporter ↗ VarietyLC “Cyrus staged only two fans-only shows in Los Angeles and Paris” Read at Variety ↗ Left · 2Both outlets say the second and final night was due on Sunday 18 October, and both put attendance at about 18,000 a night; The Hollywood Reporter added that 1.5 million people joined the online queue for roughly 36,000 tickets. The Hollywood ReporterLC “the 1.5 million people that joined the queue for the roughly 36,000 tickets across the two nights” Read at The Hollywood Reporter ↗ VarietyLC “across two sold-out nights, 18,000 fans are still pining to witness it.” Read at Variety ↗
Left · 2The set leaned on new material: Variety said Cyrus drew mainly on "Bass Persuades" plus a few songs from 2025's "Something Beautiful", and that nearly half the songs were live debuts, while The Hollywood Reporter counted an 18-song set mixing new and old hits. VarietyLC “nearly half the songs on the setlist were live debuts” Read at Variety ↗ The Hollywood ReporterLC “The 18-song set” Read at The Hollywood Reporter ↗ Left · 2Both reviews report that Cyrus let the crowd carry much of the vocals on older hits such as "We Can't Stop" and "Party in the U.S.A.", while singing the new songs with more commitment; The Hollywood Reporter added that "Wrecking Ball" had a new arrangement and that "The Climb" drew one of the biggest reactions. VarietyLC “she largely held the mic towards the crowd for her bigger hits, “We Can’t Stop” and “Party in the U.S.A.,”” Read at Variety ↗ The Hollywood ReporterLC “Cyrus clearly felt the most passionate about the newer material, belting the words to the songs from Bass Persuades” Read at The Hollywood Reporter ↗ Left · 2Wayne Coyne of The Flaming Lips, a collaborator, joined Cyrus on stage, and The Hollywood Reporter also named Cyrus's fiancé Maxx Morando as a surprise guest; Variety named Model/Actriz as the opening act. VarietyLC “She let her freak flag fly with Flaming Lips’ frontman Wayne Coyne on the B stage” Read at Variety ↗ The Hollywood ReporterLC “her fiance Maxx Morando, another collaborator” Read at The Hollywood Reporter ↗
Left · 2The emotional peak in both reviews was a tearful tribute to Cyrus's godmother Dolly Parton, followed by a cover of "Jolene"; The Hollywood Reporter said Parton died earlier this year and that Cyrus held a small photo of Parton during "Wrecking Ball". VarietyLC “choking back tears as she led into a cover of “Jolene.”” Read at Variety ↗ The Hollywood ReporterLC “she clutched a small photo of Parton in a heart-shaped frame to her chest.” Read at The Hollywood Reporter ↗ Left · 2Cyrus spoke to the crowd about balancing performing with a private life; The Hollywood Reporter said Cyrus was honest about not being sure of doing a show of this scale again, and Variety quoted Cyrus saying the walk back from the B-stage through the crowd was "a little bit overwhelming". The Hollywood ReporterLC “the singer was honest about the fact she wasn’t sure if she’d ever do a show of this scale again” Read at The Hollywood Reporter ↗ VarietyLC “it is a little bit overwhelming.”” Read at Variety ↗ Left · 2The verdicts differ: Variety found the album to have "a few bright moments but lacking the singular vision" of Cyrus's best work and called the show "confounding, oftentimes bizarre and, in the end, strangely entertaining", while The Hollywood Reporter called it "cathartic" and said the hits were lighter on live vocals but "still endlessly enjoyable". VarietyLC “It was confounding, oftentimes bizarre and, in the end, strangely entertaining” Read at Variety ↗ The Hollywood ReporterLC “Friday’s performance was cathartic for the audience, and clearly for Cyrus” Read at The Hollywood Reporter ↗
Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.
Left2 outlets
- Framing
- Both outlets are left-leaning entertainment trade publications that run concert reviews. Variety treats the show as a critical assessment of an artist in flux. The Hollywood Reporter treats it as a warm, personal comeback story.
- Emphasis
- Variety stresses Cyrus's artistic direction, the rarely heard new material and the distance from the biggest hits. The Hollywood Reporter stresses the rarity of live performance because of its toll on mental health, fan demand, the Dolly Parton tribute and Cyrus's gratitude.
- Leaves out or plays down
- Variety omits the ticket-demand figures, the set length in songs, and Maxx Morando's appearance. The Hollywood Reporter omits Variety's critique of the album and the show's lack of dance breaks or set pieces.
- Charged language
- “anti-pop pop star”“confounding, oftentimes bizarre”“cathartic”
- For example
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“a record with a few bright moments but lacking the singular vision that defined some of her strongest work” — Variety
“Friday’s performance was cathartic for the audience, and clearly for Cyrus, who’s seemingly found the balance” — The Hollywood Reporter
Centre0 outlets
No centre outlet in our sources has covered this story yet.
Right0 outlets
No right outlet in our sources has covered this story yet.
What every side reports
- Cyrus played the first of two Hollywood Bowl shows on Friday 16 October in support of "Bass Persuades".
- The second night was set for Sunday 18 October.
- Roughly 18,000 fans attended each night.
- The set favoured new material, with the crowd carrying older hits like "We Can't Stop" and "Party in the U.S.A.".
- Wayne Coyne appeared as a guest.
- Cyrus paid an emotional tribute to Dolly Parton and covered "Jolene".
Where accounts differ
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How to judge the show
- Left
- Variety: a megastar "still figuring out what artist she wants to become", with a confounding but entertaining set and a record lacking singular vision. The Hollywood Reporter: an emotional, cathartic return in which Cyrus seems to have found balance.
Miley Cyrus person
Cyrus told the crowd the shows were possible because of a balance between performing and a private life, thanked fans for their support over 20 years, and paid tribute to Dolly Parton. Cyrus also said the long walk through the crowd was overwhelming.
“finding this balance in my life where I can really have everything that I’ve ever wanted.” — The Hollywood Reporter
“it is a little bit overwhelming.”” — Variety
Hollywood Bowl place
The venue hosted both nights, which the outlets describe as sold out with about 18,000 fans each. The Hollywood Reporter calls it an iconic venue.
“first of two shows at the iconic L.A. venue” — The Hollywood Reporter
“across two sold-out nights, 18,000 fans” — Variety
Left2 articles
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VarietyLC · · Opinion
Mixed A critical review that sees a star at odds with the pressures of pop stardom, praising the unpredictability while doubting the album and the distance from the hits.

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The Hollywood ReporterLC · · Opinion
Miley Cyrus Returns to the Stage With Emotional and Cathartic Hollywood Bowl Show
Sympathetic A warm account of an emotional comeback, highlighting Cyrus's candour, the Dolly Parton tribute and fan devotion.

Centre0 articles
No coverage yet.
Right0 articles
No coverage yet.
- 17 Oct 08:53 First VarietyLC Miley Cyrus Embraces Being the Anti-Pop Pop Star With Her First ‘Bass Persuades’ Concert at Hollywood Bowl: Concert Review Opinion
- 18 Oct 00:17 +15h 24m The Hollywood ReporterLC Miley Cyrus Returns to the Stage With Emotional and Cathartic Hollywood Bowl Show Opinion
Times are when each article was published, or when we first saw it if the outlet gave no time.
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