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Fielder and Oppenheim's Elizabeth Holmes documentary premieres at New York Film Festival

"You Can See Everything", Nathan Fielder and Lance Oppenheim's documentary on Elizabeth Holmes, had its New York Film Festival screening on Wednesday ahead of an A24 release on Oct. 16. Both outlets stress the filmmakers' plea to keep its twists secret.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: The Hollywood Reporter
Image: The Independent

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The story, neutrally told

Nathan Fielder and Lance Oppenheim's documentary about Elizabeth Holmes, "You Can See Everything", screened at the New York Film Festival on Wednesday night at Alice Tully Hall, Lincoln Center. The Independent says it first appeared at a surprise, no-phones screening at the Telluride Film Festival on Sept. 6 and became one of the year's most talked-about films. The Hollywood Reporter counted an audience of 1,100, and the Independent says some people queued from 3 a.m. for the sold-out 8 p.m. showing.

The nearly three-hour film follows Holmes, the convicted founder of Theranos, in the 34 days before she reported to prison, with Fielder living in a guest house at the Del Mar, California home she shares with partner Billy Evans. Holmes entered a Texas prison in May 2023 after being convicted on four felony counts of fraud and conspiracy. Fielder said the filmmakers had no plan for where the project would go, and said at the Q&A that Holmes seemed genuine at times while also seeming to be a liar.

Fielder said, "I am still struggling to this day to understand what I went through", and Oppenheim spoke of the crew's shared "cognitive dissonance". Both outlets say the filmmakers asked the audience not to reveal the film's surprises; the Independent mentions dramatic recreations with an A-list star, and the Hollywood Reporter says the last hour turns "considerably wilder". A24 will release the film on Oct. 16.

Every sentence links to the reporting it rests on.

Left2 outlets

Framing
Both outlets treat the screening as a buzzy cultural event. The Hollywood Reporter gives a first-person, review-like account of a raucous crowd; the Independent gives a more factual premiere report with Theranos background.
Emphasis
Audience reaction, the filmmakers' Q&A remarks, the request to protect the twists, and the film's playful questions about identity and performance. The Independent adds the Theranos fraud history and the sentences handed to Holmes and Balwani.
Leaves out or plays down
Neither outlet gives Holmes's or Evans's own response to the film. The Hollywood Reporter gives less of the Theranos background; the Independent offers little critical assessment of the film.
Charged language
“Raucous and Revealing”“hard-to-believe coda to a preposterous saga”“burgeoning phenomenon”
For example
“screaming with such gusto at every plot twist that you’d think A24 was re-releasing Midsommar” — The Hollywood Reporter
“is a hard-to-believe coda to a preposterous saga.” — The Independent

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