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Netflix plans broad theatrical release for KPop Demon Hunters 2, Sarandos says

Netflix co-CEO Ted Sarandos said the sequel to KPop Demon Hunters will get a very broad theatrical release, a change from the original's streaming-only debut.

3 outlets · 0L · 3C · 0R First reported Account updated
Image: Screen Rant
Image: Deadline
Image: Collider

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The story, neutrally told

Centre · 2Netflix co-CEO Ted Sarandos said at Bloomberg's Screentime conference on Wednesday that KPop Demon Hunters 2 will get a broad theatrical release. Centre · 1Deadline reports the sequel is expected in 2029. Centre · 2The original film, produced by Sony Pictures Animation, went straight to Netflix and drew 325.1 million views in its first 90 or 91 days, which Screen Rant describes as the streamer's most-watched movie ever.

Centre · 1Two months after its Netflix debut, a singalong version grossed an estimated $19M over two days at No. 1, according to Deadline. Centre · 1Screen Rant notes the film won Oscars for Best Animated Feature and Best Original Song, and that original directors Maggie Kang and Chris Appelhans are returning for the sequel. Centre · 1Sarandos described the thinking as serving moviegoers while not harming Netflix's value.

Centre · 1He said Netflix treats art house films and four-quadrant family rewatch movies differently, and that family titles such as the sequel, Narnia and Charlie vs. the Chocolate Factory will get wide releases. Centre · 1Deadline lists theatrical windows of 50 days for Narnia, 47 for Charlie and 46 for La Bola Negra, and 27 and 26 days for Cliff Booth and Mosquito Bowl. Centre · 1Netflix will report box office for these films for the first time, though Sarandos said it won't be tied to the films' profit and loss.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left0 outlets

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Centre3 outlets

Framing
Both outlets lead with Sarandos's confirmation of a broad theatrical release for the sequel. Screen Rant keeps it short and fan-oriented; Deadline places it within Netflix's wider theatrical strategy.
Emphasis
Screen Rant stresses the original's records and Oscars. Deadline stresses release windows, the slate of films and Sarandos's reasoning.
Leaves out or plays down
Screen Rant omits the 2029 timing and the windows. Deadline does not mention the Oscars or the returning directors.
Charged language
“smash hit”“massive box-office potential”
For example
“The original movie was a smash hit” — Screen Rant
“showed a massive box-office potential too” — Deadline

Right0 outlets

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