Netflix's East of Eden series draws praise for Florence Pugh, split verdicts on the adaptation
Netflix's seven-episode East of Eden, adapted by Zoe Kazan from Steinbeck's novel, is reviewed as led by Florence Pugh's Cathy. Critics differ on whether the adaptation as a whole works.
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The story, neutrally told
Netflix released East of Eden, a seven-episode miniseries adapted from John Steinbeck's 1952 novel, on 1 October. The Hollywood ReporterLC “her seven-part Netflix production” Read at The Hollywood Reporter ↗ ColliderN “East of Eden premieres October 1 on Netflix.” Read at Collider ↗ Zoe Kazan wrote and co-runs it with Jeb Stuart; she is the granddaughter of Elia Kazan, who directed the 1955 film starring James Dean. The Hollywood ReporterLC “Zoe Kazan, Elia’s granddaughter” Read at The Hollywood Reporter ↗ New York PostR “co-showrunner Zoe Kazan’s grandfather, Elia Kazan, directed the 1955 movie” Read at New York Post ↗ Florence Pugh, also an executive producer, plays the manipulative Cathy Ames, with Christopher Abbott and Mike Faist as the brothers Adam and Charles Trask and Hoon Lee as the servant Lee. The Hollywood ReporterLC “star and executive producer Florence Pugh” Read at The Hollywood Reporter ↗ New York PostR “follows brothers Adam (Christopher Abbott) and Charles Trask (Mike Faist)” Read at New York Post ↗
Reviewers broadly single out Pugh's performance; The Hollywood Reporter calls her "terrifying" and the New York Post calls her a "dazzling villain". The Hollywood ReporterLC “A Terrifying Florence Pugh Towers Over Zoe Kazan’s Accomplished Netflix Adaptation” Read at The Hollywood Reporter ↗ New York PostR “Pugh shines in the complex role, and carries the show on her shoulders.” Read at New York Post ↗ Most reviewers also praise Lee, whom the 1955 film cut, as the series' emotional centre. The Hollywood ReporterLC “Hoon Lee in a part that was reprehensibly cut entirely from the film” Read at The Hollywood Reporter ↗ ColliderN “he’s also, in many ways, the heart of the story” Read at Collider ↗ Several critics say Kazan makes Cathy more sympathetic than in the novel, with a new origin story; Collider reads her as a woman forced to become evil to survive, while Screen Rant says this robs her of agency. ColliderN “Kazan presents Cathy not as someone born evil (as Steinbeck implies)” Read at Collider ↗ Screen RantN “robs the character of some agency” Read at Screen Rant ↗
Verdicts on the whole differ: the Independent calls it "slow, poetic television-making", Screen Rant a "stiff" adaptation, and the Irish Independent a "bit of a slog" in which Pugh at times "veers close to cartoonish". The IndependentLC “This is slow, poetic television-making” Read at The Independent ↗ Screen RantN “Netflix's John Steinbeck adaptation feels stiff and subdued” Read at Screen Rant ↗ Irish IndependentRC “Florence Pugh’s performance as the evil Cathy veers close to cartoonish at times” Read at Irish Independent ↗ Critics also fault the weaker male leads and rushed final episodes, with Abbott's Adam described as "mopey" and one-note. The Hollywood ReporterLC “Abbott is giving a mopey, one-note performance” Read at The Hollywood Reporter ↗ Screen RantN “the show must rush through this story in two episodes” Read at Screen Rant ↗ The Daily Mail covered the New York premiere rather than reviewing the series, describing Pugh's gown and her remarks on a lawsuit by a former Cornell student. Daily MailR “Florence Pugh wowed in a dramatic Vivienne Westwood gown for the New York premiere” Read at Daily Mail ↗
Every sentence links to the reporting it rests on.
Left5 outlets
- Framing
- Mostly admiring reviews that place the series against Elia Kazan's film and the novel, praising Zoe Kazan's ambition and Pugh's performance.
- Emphasis
- Fidelity to the novel, Pugh, Hoon Lee's expanded role, and the Biblical themes.
- Leaves out or plays down
- Little on the production controversies or premiere coverage; criticism is limited to Abbott and pacing.
- Charged language
- “magnificent”“Terrifying”“poetic”
- For example
-
“Florence Pugh is magnificent in this poetic piece of television” — The Independent
“A Terrifying Florence Pugh Towers Over Zoe Kazan’s Accomplished Netflix Adaptation” — The Hollywood Reporter
“Zoe Kazan’s Magnificent Netflix Epic Will Knock You Over” — IndieWire
Centre4 outlets
- Framing
- Detailed reviews that praise Pugh and the production but diverge on the adaptation's merit.
- Emphasis
- How Cathy's character is reworked, Abbott's weak Adam, and the Cathy-focused structure.
- Leaves out or plays down
- Neither mentions the premiere or Pugh's activism; Screen Rant gives little on Lee's expanded role.
- Charged language
- “stiff”“riveting”
- For example
-
“Zoe Kazan's East of Eden is a faithful, bold adaptation of Steinbeck's classic novel, compellingly led by Florence Pugh.” — Collider
“Florence Pugh Soars In Netflix's Stiff Adaptation Of John Steinbeck's Magnum Opus” — Screen Rant
Right3 outlets
- Framing
- Varied: a favourable popular review, a negative review, and premiere gossip.
- Emphasis
- The New York Post stresses Pugh as a captivating antihero; the Irish Independent finds the tone oppressive; the Daily Mail focuses on fashion and Pugh's views.
- Leaves out or plays down
- The Daily Mail gives no assessment of the series; the New York Post does not engage with the Cathy backstory change.
- Charged language
- “dazzling villain”“slog”“plunging”
- For example
-
“isn’t flawless, but it’s an emotional, sweeping story that does justice to the widely beloved book.” — New York Post
“This doom-laden, oppressive new mini-series version of John Steinbeck’s classic novel is a bit of a slog” — Irish Independent
“Florence Pugh commands attention in a dramatic plunging lime and grey gown” — Daily Mail
What every side reports
- The series has seven episodes and is streaming on Netflix from 1 October.
- Florence Pugh plays Cathy Ames and is the focus of the coverage.
- Zoe Kazan adapted the novel, decades after her grandfather Elia Kazan's 1955 film.
- Hoon Lee's Lee is given more prominence than in the film.
Where accounts differ
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Whether the adaptation succeeds overall
- Left
- Mostly warm: 'magnificent', 'accomplished', 'rich' (headlines from the Independent, IndieWire, Hollywood Reporter and Variety).
- Centre
- Split: Collider calls it faithful and bold; Screen Rant calls it stiff and paint-by-numbers.
- Right
- Split: the New York Post calls it a triumph; the Irish Independent calls it doom-laden, oppressive and a slog.
-
Whether Cathy is made more sympathetic than in the novel
- Left
- The Independent and Hollywood Reporter note a new, more sympathetic backstory; the Hollywood Reporter thinks the explicit origin unnecessary.
- Centre
- Collider welcomes it; Screen Rant says it complicates her villainy and reduces her agency.
- Right
- The New York Post describes Cathy as 'an awful person' and not exactly sympathetic.
-
The series is a faithful adaptation of Steinbeck's novel.
Supported- Supports 4
- The Hollywood Reporter, The Independent, Collider, New York Post
- Reports 1
- Screen Rant
-
The series gives Cathy a more sympathetic, modernised backstory than the novel.
Supported- Supports 4
- The Hollywood Reporter, The Independent, Collider, Screen Rant
- Disputes 1
- New York Post
-
Hoon Lee's Lee is a standout of the series.
Supported- Supports 5
- The Hollywood Reporter, The Independent, Collider, Screen Rant, New York Post
Florence Pugh person
Presented as the series' star and executive producer, and as a vocal campaigner on sexual violence during the press run.
“Florence, who also serves as an executive producer” — Daily Mail
“I'm a woman, and this affects all women” — Daily Mail
Zoe Kazan person
Shown as the creator, writer and showrunner aiming to give new attention to Cathy, per the series' logline.
“new attention on its indelible antihero” — Screen Rant
“the show's creator, writer and showrunner Zoe Kazan” — Daily Mail
Netflix organisation
Praised by the Independent for resisting turning Cathy into a Gothic succubus; criticised by the Hollywood Reporter for promoting a love triangle the series is not.
“Netflix should be applauded for resisting the temptation to turn Cathy into a Gothic succubus” — The Independent
“Netflix promoting the series as a love triangle” — The Hollywood Reporter
UK and Ireland5 outlets
Mixed: the Independent is admiring, the Irish Independent finds the series a slog, and the Daily Mail covers the premiere.
“a parable for our times” — The Independent
“is a bit of a slog” — Irish Independent
The Independent, Daily Mail, Irish Independent, Radio Times, The Guardian
North America6 outlets
Mostly positive trade and entertainment reviews, with Screen Rant the main dissent on pacing and stiffness.
“Pugh shines in the complex role, and carries the show on her shoulders.” — New York Post
“feels stiff and subdued” — Screen Rant
The Hollywood Reporter, Variety, New York Post, IndieWire, Collider, Screen Rant
Left5 articles
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The IndependentLC · · Opinion
East of Eden on Netflix review – Florence Pugh is magnificent in this poetic piece of television
Sympathetic Admiring review of a reverent, slow adaptation, with some doubts about Pugh playing an older Cathy.

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Mixed Favourable but detailed review that says the series is truer to the novel than the 1955 film while faulting Abbott and some gaps.

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VarietyLC · · Opinion
Sympathetic Positive review that casts Pugh and Hoon Lee as the series' heart.

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IndieWireLC · · Opinion
‘East of Eden’ Review: Zoe Kazan’s Magnificent Netflix Epic Will Knock You Over
Celebratory Highly enthusiastic review calling Kazan's adaptation magnificent.

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Centre4 articles
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Radio TimesN · · Opinion
East of Eden review: Florence Pugh leads this gorgeously faithful Netflix adaptation

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ColliderN · · Opinion
Florence Pugh's 'East of Eden' Puts a Modern, Riveting Twist on the Classic American Novel | Review
Sympathetic Praises a faithful yet modern adaptation and its sympathetic reading of Cathy.

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Screen RantN · · Opinion
Mixed Praises Pugh and production design but calls the adaptation stiff and truncated.

Right3 articles
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Celebratory Premiere red-carpet coverage focused on outfits and Pugh's activism, not on the series itself.

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Irish IndependentRC · · Opinion
Critical Negative review calling the series oppressive and a slog, with a near-cartoonish Pugh.

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New York PostR · · Opinion
Florence Pugh is a dazzling villain in Netflix’s ‘East of Eden:’ review
Sympathetic Upbeat review treating the series as a faithful triumph carried by Pugh as an antihero.

- 1 Oct 06:00 First The IndependentLC East of Eden on Netflix review – Florence Pugh is magnificent in this poetic piece of television Opinion
- 1 Oct 07:59 +1h 59m Daily MailR Florence Pugh commands attention in a dramatic plunging lime and grey gown as she leads the glamour at East Of Eden premiere in New York
- 1 Oct 08:00 +2h Irish IndependentRC ‘East of Eden’ review: This doom-laden, oppressive new mini-series version of John Steinbeck’s classic novel is a bit of a slog Opinion
- 1 Oct 08:01 +2h 1m New York PostR Florence Pugh is a dazzling villain in Netflix’s ‘East of Eden:’ review Opinion
- 1 Oct 08:01 +2h 1m IndieWireLC ‘East of Eden’ Review: Zoe Kazan’s Magnificent Netflix Epic Will Knock You Over Opinion
- 1 Oct 08:01 +2h 1m VarietyLC Florence Pugh and Hoon Lee Form the Beating Heart of Netflix’s Rich ‘East of Eden’ Adaptation: TV Review Opinion
- 1 Oct 08:01 +2h 1m The Hollywood ReporterLC ‘East of Eden’ Review: A Terrifying Florence Pugh Towers Over Zoe Kazan’s Accomplished Netflix Adaptation of the John Steinbeck Classic
- 1 Oct 08:01 +2h 1m Radio TimesN East of Eden review: Florence Pugh leads this gorgeously faithful Netflix adaptation Opinion
- 1 Oct 08:01 +2h 1m ColliderN Florence Pugh's 'East of Eden' Puts a Modern, Riveting Twist on the Classic American Novel | Review Opinion
- 1 Oct 08:01 +2h 1m Screen RantN East Of Eden Review: Florence Pugh Soars In Netflix's Stiff Adaptation Of John Steinbeck's Magnum Opus Opinion
- 1 Oct 08:01 +2h 2m The GuardianLC East of Eden review – Florence Pugh’s soapy Steinbeck adaptation is brilliant, compelling TV Opinion
- 1 Oct 09:00 +3h 1m Hindustan TimesN ‘East of Eden’ review: Netflix’s absorbing Steinbeck series
Times are when each article was published, or when we first saw it if the outlet gave no time.
