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Netflix's four-part 'Tyson' docuseries gets critical reviews from Guardian and Hollywood Reporter

Netflix's four-part documentary series 'Tyson', directed by Floyd Russ, draws critical reviews. The Guardian calls it a lopsided, irresponsible hagiography, and The Hollywood Reporter finds it formulaic and short on new information.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: The Hollywood Reporter
Image: The Guardian

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The story, neutrally told

Left · 2Netflix has released Tyson, a four-part documentary series about boxer Mike Tyson directed by Floyd Russ, and reviews from The Guardian and The Hollywood Reporter are critical. Left · 2The series follows Tyson from a rough upbringing in Brooklyn and juvenile detention, where he was introduced to the trainer Cus D'Amato, through his rise as the youngest heavyweight champion and a later life marked by drugs, losses and setbacks. Left · 2It covers his marriage to Robin Givens, his rape conviction, his biting of Evander Holyfield, and the death of his young daughter Exodus.

Left · 2Tyson denies sexually assaulting Desiree Washington, who was 18 at the time and was a pageant contestant. The Hollywood Reporter says he offers only one-sentence denials, while Givens and Washington either declined to take part or did not respond to requests. Left · 2Both reviews note that Donald Trump appears as a talking head. In the Guardian's account, Trump defends Tyson, saying "[Tyson] is very truthful, and I think the truth hurt him in this case" and that the media was "rough on Mike". Left · 2Both reviews also describe Tyson taking a hallucinogenic toad-derived drug on camera and inviting the director to join. The Guardian describes the series as ending with this scene, while The Hollywood Reporter places it in the fourth episode.

Left · 1The Guardian's reviewer calls the series a "peculiar – some would say truly irresponsible – hagiography" that is lopsided and "deeply icky". They say it is "an exercise in not taking due accountability", and that interviewees speak of Tyson in terms akin to Nelson Mandela, with more voices doubting his guilt than crediting Washington. Left · 1The Hollywood Reporter's reviewer describes the series as "aesthetically formulaic" to the point of parody, with rudimentary editing, and says it offers little new because Tyson has told their story many times before. The review still finds Tyson's "vulnerable volatility" hard to look away from and praises interviews with Lennox Lewis, Buster Douglas and Tyson's children. Left · 1The Hollywood Reporter notes that Tyson sometimes tells the director to drop a line of questioning, and that Russ leaves those moments in. It says many contentious aspects of Tyson's life are presented in a one-sided way, and that the series does not use outside voices such as Van Lathan to place Tyson in a wider historical or racial context.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Both outlets are critical reviews. The Guardian leads with moral unease, calling the series a lopsided, irresponsible hagiography. The Hollywood Reporter leads with the redundancy of another Tyson self-portrait and with formulaic craft, while conceding it is watchable.
Emphasis
The Guardian stresses the handling of the Givens and Washington allegations, Trump's defence of Tyson, and the lack of accountability. The Hollywood Reporter stresses Tyson's long history of telling their own story, the conventional sports-documentary style, and Tyson steering the interviews.
Leaves out or plays down
Neither review presents a response from Netflix or the filmmakers. The Guardian does not discuss the series' craft or its interviews with other boxers, and the Hollywood Reporter gives less weight to the ethical objections about the allegations.
Charged language
“hagiography”“deeply icky”“truly irresponsible”“borders on parody”“excessive platforming”
For example
“The streamer has form in sporting hagiographies – tales told with questionable distance from their subjects, and all the objectivity of cold war agitprop.” — The Guardian
“most people who are grossed out by the excessive platforming of this severely damaged pugilist probably won't watch anyway” — The Hollywood Reporter

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