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Netflix's 'Below', with Josh Hartnett, gets mixed-to-positive reviews as a sea-monster thriller

Netflix's six-part limited series Below, created by Jesse McKeown and starring Josh Hartnett as a Newfoundland fisherman, streams from 8 October. Reviewers broadly enjoy its Jaws-style creature thriller but split over its pacing, climate themes and accents.

6 outlets · 3L · 3C · 0R First reported Account updated
Image: Variety
Image: Collider
Image: The Hollywood Reporter
Image: Screen Rant
Image: Radio Times
Image: The Guardian

1 / 6

The story, neutrally told

Mixed · 2Netflix's six-part limited series Below, created by Jesse McKeown (The Umbrella Academy), began streaming on 8 October 2026 and stars Josh Hartnett as the fisherman Calvin Penney. Left · 2It is set in Snook's Arm, a struggling Newfoundland community where fishing has dried up, residents harvest iceberg ice for a vodka company, and a government resettlement scheme threatens the town's survival. Mixed · 2A prologue in 1986 shows a family towing their house across a bay and being attacked by something in the water; 40 years later a massive iceberg appears in the harbour, people vanish, and Calvin teams up with marine zoologist Dr Fonda Howander (Mackenzie Davis) to find out what is responsible.

Mixed · 2The cast also includes Charlie Heaton as Calvin's son Wade, Ruby Stokes and Rohan Campbell as his other children, Willow Kean as his sister Ruth, and David Wenham. Left · 3Critics widely compare it to Jaws and to Apple TV's Widow's Bay, and most find it enjoyable. Variety calls it "a perfectly paced thriller", Radio Times says it is "worth diving in", and The Guardian calls it "totally ridiculous – but you will have loads of daft fun". Mixed · 2The Hollywood Reporter finds it a "likably silly" creature feature that never lives up to its opening scene, while Screen Rant is the most negative, saying the story piles on too much and suffers an "identity crisis".

Centre · 3Pacing is contested: Variety, Collider and Radio Times praise the brisk six-episode length, while Screen Rant and The Hollywood Reporter say subplots and side characters were added to fill out the run. Left · 3Reviewers also differ on the climate theme. Variety, Collider and Radio Times say the show engages seriously with climate change and resettlement, while The Guardian says the eco theme is "virtually inaudible". Left · 3The Newfoundland setting and location filming are praised, but accents draw comment: Variety calls Hartnett's attempt "hilarious", The Hollywood Reporter says he is probably not note-perfect but admires the commitment, and Screen Rant objects to Heaton's Irish-sounding accent.

Left · 1The Hollywood Reporter says the ending could set up a second season if Netflix drops the limited-series label, and urges the streamer to resist doing so.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left3 outlets

Framing
Reviews range from rapturous (Variety) to playful (The Guardian) and amused (The Hollywood Reporter), treating it as an enjoyable if silly monster thriller.
Emphasis
Tone, humour, Jaws/Widow's Bay comparisons, accents and the climate theme.
Leaves out or plays down
Less discussion of structural problems such as plot holes, which Screen Rant raises.
Charged language
“Exhilarating”“likably silly”“industrial-grade bunkum”“killer snot-berg”
For example
“Deeply intriguing and at times terrifying, “Below” is a perfectly paced thriller.” — Variety
“Likably Silly Newfoundland-Set Thriller” — The Hollywood Reporter
“A six-part supernatural thriller forged from industrial-grade bunkum” — The Guardian

Centre3 outlets

Framing
Genre-focused reviews weighing the show against Widow's Bay and Jaws: Collider and Radio Times are positive with caveats, Screen Rant is critical.
Emphasis
Pacing, performances (especially Heaton), setting and how well the themes fit the horror.
Leaves out or plays down
Little on the resettlement politics beyond brief mentions; Radio Times gives few plot specifics.
Charged language
“Messy Monster Series”“identity crisis”“gaping plot hole”
For example
“you won't regret spending a weekend there.” — Collider
“Netflix's Messy Monster Series Is More Scooby-Doo Than Widow's Bay” — Screen Rant
“delivers thrills and doesn’t hold back on the gore.” — Radio Times

Right0 outlets

No right outlet in our sources has covered this story yet.