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Lee Chang-dong's Possible Love: reviews of a 164-minute class drama

Two centre outlets, Screen Rant and the Evening Standard, review Lee Chang-dong's Possible Love, his first film since Burning (2018). Both praise it as a long, humane drama about two couples from different classes in the aftermath of a factory strike.

2 outlets · 0L · 2C · 0R First reported Account updated
Image: Screen Rant
Image: Evening Standard

1 / 2

The story, neutrally told

Centre · 2Possible Love is the first feature in eight years from South Korean director Lee Chang-dong, whose previous film was Burning in 2018. Centre · 2The Evening Standard gives its running time as 164 minutes, and both reviewers say the film takes its time. Centre · 2The story opens at the funeral of a former SP Heavy Industries worker who killed himself, where Ho-seok (Sul Kyung-gu) and Mi-ok (Jeon Do-yeon), a sacked couple, meet Ye-ji (Cho Yeo-jeong). Ye-ji is filming a documentary about the dismissed workers.

Centre · 2Ye-ji is married to the wealthy Sang-woo (Zo In-sung). Mi-ok agrees to be interviewed, but Ho-seok, who is traumatised, is reluctant. Centre · 2Ye-ji draws the two couples closer together, and the Standard says this includes a weekend at Sang-woo's seaside holiday home, where the relationships come under strain. Centre · 1The Standard says the film was inspired by a real 2009 factory strike, a brutal police crackdown and mass lay-offs.

Centre · 2Both reviews read the film as being about class and the dignity of work. Screen Rant sees the relationship between Mi-ok and Ye-ji as the way into those themes, and the Standard stresses what Ho-seok has lost. Centre · 2Both are strongly positive. Screen Rant calls the film a contender for the year's best ensemble and says it is one "you won't stop thinking about". The Standard calls it a "masterpiece" and says all four actors are superb, Jeon in particular. Centre · 2The reviews make a few reservations. The Standard warns that patience may be tested and that the climax may strike some as melodramatic. Screen Rant notes that some might fault a film for feeling like another art form, such as a novel, but argues that such films are rare and exciting.

Centre · 2Release details differ by market. The Standard says the film screens at the London Film Festival on October 18 and goes on general release on October 23. Screen Rant says it opens in limited US theatres on October 23 and streams on Netflix from November 6.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

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Centre2 outlets

Framing
Both centre outlets write admiring reviews. Screen Rant treats the film as a dense, novelistic meta-drama that rewards reflection. The Evening Standard, writing from the London Film Festival, calls it a humane Korean masterpiece about the dignity of work and marriage.
Emphasis
Screen Rant stresses the ensemble acting, the layered class dynamics between Mi-ok and Ye-ji, and the film's openness to interpretation. The Standard stresses the real 2009 strike behind the story, the 'dead' and 'living' workers, and Ho-seok's trauma.
Leaves out or plays down
The Standard does not discuss the film's form or its meta-documentary structure. Screen Rant does not mention the real-life strike that inspired the story or the London festival screening.
Charged language
“masterpiece”“Endless Food For Thought”“heart-crushing”
For example
“Possible Love Review: Exquisitely Detailed Meta-Drama Is Endless Food For Thought” — Screen Rant
“The dignity of work and marriage collide in a Korean masterpiece” — Evening Standard

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