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The Party, ITV's five-part Elizabeth Day adaptation, gets broadly positive reviews

ITV's five-part thriller The Party, adapted by Sarah Solemani from Elizabeth Day's 2017 novel, starts with reviews that call it entertaining. They differ on how deeply it explores its characters.

3 outlets · 2L · 1C · 0R First reported Account updated
Image: The Guardian
Image: Radio Times
Image: The Independent

1 / 3

The story, neutrally told

Mixed · 2The Party is a five-part ITV thriller adapted by Sarah Solemani from Elizabeth Day's 2017 novel, with Luke Evans and Tom Cullen in the lead roles. Mixed · 2It opens with political journalist Martin Gilmour (Evans) bloodstained and being questioned by police after trouble at a lavish country-house party for his friend Ben Fitzmaurice (Cullen), a Tory politician. Left · 2Flashbacks trace the pair's friendship from a public school, where Martin was a scholarship pupil, to the present day, when the party leader's resignation sets off a leadership scramble.

Mixed · 2Reviewers describe Martin as repeatedly bending to Ben's wishes, and Radio Times says Martin is exploited. Left · 1The Guardian's Lucy Mangan calls it "enormous fun: pacey, moreish, perfectly cast", singling out Lindsay Duncan. Left · 1The Independent's Phil Harrison says it "sails along very entertainingly" but is held back by thinly explored characters and underused supporting actors, and he finds Evans's performance initially wooden.

Centre · 1Radio Times' David Brown calls it "seductive" and focuses on themes of class, privilege and Martin's path to freeing himself, though he notes that the actors playing the younger characters look too old. Centre · 1The series continues on ITV1 at 9pm on Monday 12 October and is available on ITVX.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Reviews that enjoy the show as a pacey, gossipy thriller about awful rich people. The Independent adds reservations about depth.
Emphasis
Satire of Tory society, ensemble cast, mystery hooks and pace.
Leaves out or plays down
Neither discusses Martin's arc to the finale or the gay-repression theme in depth, as Radio Times does.
Charged language
“gloriously hateful characters”“miserable rich people”
For example
“The Party is enormous fun: pacey, moreish, perfectly cast.” — The Guardian
“it could have gone harder in terms of examining its themes” — The Independent

Centre1 outlet

Framing
A preview-style review that leads with politics, privilege and class and follows Martin's exploitation and possible escape.
Emphasis
Themes, literary comparisons (Brideshead, Saltburn, Ripley) and viewing details.
Leaves out or plays down
Says little about the satire of the Tory party or the supporting cast.
Charged language
“seductive”
For example
“So begins a seductive five-part ITV adaptation of Elizabeth Day's 2017 novel of class anxiety” — Radio Times

Right0 outlets

No right outlet in our sources has covered this story yet.