V/H/S/Mixtape, ninth found-footage anthology, gets mixed reviews ahead of Shudder release
Reviews of the music- and sound-themed horror anthology V/H/S/Mixtape, streaming on Shudder from 9 October, praise Renee Zhan's puppet segment and criticise the GWAR interludes and weaker closing shorts.
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The story, neutrally told
Mixed · 2V/H/S/Mixtape, the ninth instalment of the found-footage horror anthology franchise, is due to stream on Shudder on Friday, 9 October. Screen RantN “V/H/S/Mixtape is available to stream on Shudder from Friday, October 9.” Read at Screen Rant ↗ IndieWireLC “with the new anthology streaming on Shudder October 9” Read at IndieWire ↗ Mixed · 2The film's shorts are all built around sound or music, and are linked by interludes featuring the shock-metal band GWAR. Screen RantN “all six found footage shorts (which are connected by an interstitial featuring the monstrously costumed metal band GWAR) are themed around the power of music or audio” Read at Screen Rant ↗ IndieWireLC “the shock-metal icons of GWAR appear throughout” Read at IndieWire ↗ Mixed · 2Directors named by the reviewers include Renee Zhan, David Moreau, Ernest Dickerson, RZA of Wu-Tang Clan, Ghost frontman Tobias Forge and Flying Lotus. The two reviews describe the structure differently: Screen Rant counts six shorts, while IndieWire cites four short films plus a handful of musical interludes. IndieWireLC “Veteran director and Spike Lee collaborator Ernest Dickerson brings decades of filmmaking experience, while French horror director David Moreau arrives fresh off the success of 2024’s “MadS.””“the night’s entertainment includes four short films and a handful of musical interludes” Read at IndieWire ↗ Screen RantN “all six found footage shorts” Read at Screen Rant ↗
Mixed · 2Both reviewers single out Zhan's "Dance, Dance, Dance, Dance" as the highlight. It uses Jim Henson's Creature Shop puppets and stars Barbara Crampton as a corporate or studio executive. Screen RantN “The best segment of the bunch by far is Renee Zhan's "Dance, Dance, Dance, Dance,"” Read at Screen Rant ↗ IndieWireLC “Barbara Crampton (long may she reign!) plays a studio executive” Read at IndieWire ↗ Mixed · 2Both find the remaining segments uneven. Moreau's "Heartbeat" and Dickerson's "The Music of Mr. Sze" are each faulted, as is RZA's "Death Tone": Screen Rant calls the last the most boring, while IndieWire says it fares somewhat better than Moreau's and Dickerson's segments. Screen RantN “"Death Tone," which was helmed by Wu-Tang Clan's RZA, is by far its most boring.” Read at Screen Rant ↗ IndieWireLC “RZA’s “Death Tone” fares somewhat better than those two sections” Read at IndieWire ↗ Mixed · 2Both reviews criticise the GWAR interludes, with Screen Rant calling them crude and grating and IndieWire saying they look cheap and dated, though IndieWire grants some "objectively funny gross-out dialogue". Both also fault Forge's segment, called a bland metal music video by Screen Rant and "astonishingly forgettable" by IndieWire. Screen RantN “GWAR's interstitials, which are crude and grating” Read at Screen Rant ↗ IndieWireLC “GWAR offers some objectively funny gross-out dialogue”“Forge’s contribution is astonishingly forgettable” Read at IndieWire ↗
Mixed · 2Flying Lotus's animated piece is praised for its visuals by both, but Screen Rant finds "Another Cabin" too short to feel complete, while IndieWire calls it a beautiful interlude that barely fits the theme. Screen RantN “it's less than three minutes long and feels like a discarded fragment of a draft” Read at Screen Rant ↗ IndieWireLC “a moonlit, monstrous animated interlude that’s beautiful and barely concerned with fitting the theme” Read at IndieWire ↗ Mixed · 2Screen Rant concludes the film is "fundamentally disappointing" and 'sometimes good, never great'. IndieWire is more forgiving, saying the series can still introduce horror fans to "earnestly exciting artists" but that its sense of novelty is growing harder to maintain. IndieWire adds that this is the first instalment under new franchise owners Spooky Pictures and Image Nation Abu Dhabi. Screen RantN “the experience as a whole is fundamentally disappointing” Read at Screen Rant ↗ IndieWireLC “the series can still introduce horror fans to earnestly exciting artists”“the first installment released under new franchise owners Spooky Pictures and Image Nation Abu Dhabi” Read at IndieWire ↗
Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.
Left1 outlet
- Framing
- IndieWire treats the film as a helter-skelter anthology with some killer tracks, weighing it against the franchise's history and its role in showcasing new horror talent.
- Emphasis
- Zhan's segment as proof of the series' continued relevance; franchise ownership and history; the series' growing nostalgia.
- Leaves out or plays down
- Does not give an overall verdict as harshly negative as Screen Rant's; calls the film mostly a wash outside Zhan's segment.
- Charged language
- “helter-skelter”“mostly a wash”“astonishingly forgettable”
Centre1 outlet
- Framing
- Screen Rant gives a blunt consumer-style verdict: some good segments, but the film as a whole disappoints.
- Emphasis
- Segment-by-segment flaws, brevity of the better shorts, and the damage done by the GWAR interstitials.
- Leaves out or plays down
- Says little about franchise ownership or the series' production history.
- Charged language
- “brutal slog”“edgelordy”“flop sweat”“fundamentally disappointing”
- For example
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“turning the final third of the anthology into a brutal slog” — Screen Rant
“Ultimately, while the movie does have a few segments that would work in isolation, the experience as a whole is fundamentally disappointing.” — Screen Rant
Right0 outlets
No right outlet in our sources has covered this story yet.
What every side reports
- V/H/S/Mixtape is the ninth V/H/S film and streams on Shudder from 9 October.
- The shorts are themed around music or sound and linked by GWAR interludes.
- Renee Zhan's "Dance, Dance, Dance, Dance" is the standout segment.
- The GWAR interludes and Tobias Forge's segment are criticised.
Where accounts differ
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Overall verdict
- Left
- IndieWire: mostly a wash beyond Zhan's segment, but the series still has some killer tracks and can showcase exciting artists.
- Centre
- Screen Rant: sometimes good, never great, and fundamentally disappointing.
-
RZA's "Death Tone"
- Left
- IndieWire: fares somewhat better than Moreau's and Dickerson's segments, with a fantastic sequence and an entertaining lead.
- Centre
- Screen Rant: by far the film's most boring segment.
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Number of shorts
- Left
- IndieWire: four short films plus musical interludes.
- Centre
- Screen Rant: six found-footage shorts linked by a GWAR interstitial.
Left1 article
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IndieWireLC · · Opinion
‘V/H/S Mixtape’ Review: Shudder’s Helter-Skelter Horror Anthology Still Has Some Killer Tracks
Mixed Witty review that praises Zhan's segment and the franchise's talent-showcase role while finding most of the rest uneven.

Centre1 article
-
Screen RantN · · Opinion
V/H/S/Mixtape Review: Found Footage Horror Anthology Is Sometimes Good, Never Great
Critical Segment-by-segment review concluding the anthology is disappointing despite one strong short and a few promising ideas.

Right0 articles
No coverage yet.
- 8 Oct 14:01 First Screen RantN V/H/S/Mixtape Review: Found Footage Horror Anthology Is Sometimes Good, Never Great Opinion
- 8 Oct 23:18 +9h 17m IndieWireLC ‘V/H/S Mixtape’ Review: Shudder’s Helter-Skelter Horror Anthology Still Has Some Killer Tracks Opinion
Times are when each article was published, or when we first saw it if the outlet gave no time.