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Critics divided on Tom McCarthy's climate drama 'A Statement' at New York Film Festival

Tom McCarthy's 'A Statement', a drama built from the transcript of a 1980 Florida climate conference, premiered at the 2026 New York Film Festival. Deadline praised it warmly, while IndieWire and Variety gave mixed reviews.

5 outlets · 4L · 1C · 0R First reported Account updated
Image: IndieWire
Image: Deadline
Image: The Hollywood Reporter
Image: Variety
Image: The Guardian

1 / 5

The story, neutrally told

Mixed · 2Tom McCarthy's film 'A Statement' had its world premiere at the 2026 New York Film Festival, and Sony Pictures Classics is its distributor. Mixed · 2The film dramatises a real 1980 gathering at a Florida beachfront hotel, in which academics, scientists, officials and environmentalists were asked to agree a statement on carbon dioxide emissions and advise Congress. Left · 3McCarthy co-wrote the screenplay with Thomas Bidegain and Noé Debré, adapting Nathaniel Rich's book 'Losing Earth'. The conference scenes use the actual transcripts of the meeting.

Mixed · 2The cast includes Paul Rudd as moderator Thomas Jorling, Paul Giamatti as Department of Energy official David Slade, John Turturro as M.I.T. nuclear engineer David Rose, Amy Ryan, Evan Peters as Friends of the Earth's Rafe Pomerance, and Jason Clarke. Left · 2The conference ended without an agreed statement. IndieWire says a title card at the end reveals this, and Variety flags it with a 'spoiler alert'. Centre · 1Deadline's Pete Hammond called the film 'splendid', 'a gem' and 'a feel good movie in its own peculiar way'. He said it avoids being a polemic through its cast and its focus on the participants as people, and he compared it to '12 Angry Men'.

Left · 1IndieWire's Ryan Lattanzio described a 'zippy, at times tedious, and altogether beige-colored' seriocomedy that is 'sobering, if muted'. He praised its treatment of language failing to produce agreement but criticised its thin portrayal of women and a first half that 'blows a lot of hot air'. Left · 1Variety's Owen Gleiberman said he watched with 'seriously divided feelings'. He found the film 'talky and flat' and 'like an endless magazine article in movie form', and predicted a small audience. He did credit it for showing how much was already known about climate change in 1980, and he regretted that its nuclear-power debate is dropped. Left · 3Two reviews tie the film to current politics. Deadline says the film arrives as the U.S. has twice left the Paris Climate Agreement, and IndieWire says the current administration withdrew again this year. Deadline and Variety both mention Alejandro G. Iñárritu's 'Digger', with Variety saying it, too, seems to be about 'members of the Hollywood community signaling their concern'.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left4 outlets

Framing
Mixed, critical reviews. Both outlets credit McCarthy's craft and cast but find the verbatim-transcript format dramatically limiting, and read the film as a muted or paralysed portrait of institutional inaction.
Emphasis
Style and format (stagelike, talky), the failure of the meeting, and the film's weaknesses: thin female characters (IndieWire) and dropped nuclear debate and audience doubts (Variety).
Leaves out or plays down
Little on the cast's performances as a strength beyond brief praise, and no discussion of the film as uplifting or hopeful.
Charged language
“Talky”“beige-colored”“blows a lot of hot air”“endless magazine article in movie form”“hand-wringing and the hectoring”
For example
“McCarthy's alternately zippy, at times tedious, and altogether beige-colored film” — IndieWire
“it's like an endless magazine article in movie form” — Variety

Centre1 outlet

Framing
A rave review that treats the film as a humane, entertaining and timely counterpoint to today's polarised climate politics.
Emphasis
The ensemble cast, McCarthy's track record ('Spotlight'), the 'common humanity' theme and the film's optimism, plus a comparison with 'Digger' as 'foreshock' versus 'aftershock'.
Leaves out or plays down
Does not mention the criticisms raised elsewhere that the transcript format is flat or tedious, though the critic admits his 'eyelids droop' early on.
Charged language
“Splendid”“It is a gem”“feel good movie”“backwards to oblivion”
For example
“It is a gem.” — Deadline
“we are sailing backwards to oblivion” — Deadline

Right0 outlets

No right outlet in our sources has covered this story yet.