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Ridley Scott's The Dog Stars reaches digital after weak box office run

Ridley Scott's post-apocalyptic thriller The Dog Stars became available on premium digital platforms on 27 October after earning about $39 million worldwide. Collider stresses the theatrical flop; Screen Rant stresses its early chart success on Apple's store.

2 outlets · 0L · 2C · 0R First reported Account updated
Image: Collider
Image: Screen Rant

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The story, neutrally told

Centre · 2Ridley Scott's post-apocalyptic sci-fi thriller The Dog Stars was released on premium digital platforms in the US on 27 October, weeks after its theatrical run ended. Centre · 2The film opened in cinemas at the end of August (Screen Rant gives 28 August) and had mostly finished its box-office run by mid-September. Centre · 1It stars Jacob Elordi and Josh Brolin, with Margaret Qualley and Guy Pearce also in the cast.

Centre · 2The film grossed under $40 million worldwide (Screen Rant puts the figure at $39 million). Collider says it cost around $100 million to make, while Screen Rant cites a reported $110 million budget and says it needed roughly $220 million to $275 million to break even. Centre · 2Reviews were mixed: the film holds a 41% Rotten Tomatoes score, with a consensus calling it "A derivative and drowsy tour through the post-apocalypse". Screen Rant says that is Scott's lowest critics' score since 2014's Exodus: Gods and Kings (29%). Centre · 1Screen Rant reports that, citing FlixPatrol data, the film was the third most popular title on the US Apple TV Store's Top 20 Movies chart at the time of writing, behind Anne Hathaway's Verity in first place. It calls this a "redemption" after the disappointing theatrical run; chart position alone does not show revenue.

Centre · 1Collider places the film in a run of Scott's recent commercial disappointments since The Martian (2015), including Napoleon, The Last Duel and Gladiator II, and compares it unfavourably with Steven Spielberg's Disclosure Day. It adds that Scott has begun work on Treasure Island, starring Hugh Jackman, and has expressed interest in a direct follow-up to Prometheus and Alien: Covenant.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

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Framing
Both entertainment outlets treat the film as a box-office disappointment. Collider leads with the flop and Scott's declining record; Screen Rant leads with the film's strong early digital chart position.
Emphasis
Collider: budget, worldwide gross, Scott's run of misfires, upcoming projects. Screen Rant: Apple TV Store chart rank, break-even figures, Rotten Tomatoes score.
Leaves out or plays down
Neither gives digital sales or rental figures, so chart position is the only evidence of digital success. Neither quotes Scott, the studio or the cast.
Charged language
“sci-fi flop”“Instantly Finds Redemption”“digital hit”“disappointing theatrical run”
For example
“But that film — Steven Spielberg's Disclosure Day — seems like a blockbuster compared to Scott's new sci-fi flop.” — Collider
“The Dog Stars becoming an instant US hit on digital is the absolute best-case scenario for a movie that needed that result” — Screen Rant

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