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Rivals season 2 part 2 reviewed: praised performances, doubts over the Rupert–Taggie romance

Reviews of the second half of Rivals season 2, which returns this week, credit the cast and production but question the pacing, the split release and the central Rupert–Taggie storyline.

2 outlets · 1L · 1C · 0R First reported Account updated
Image: The Independent
Image: Collider

1 / 2

The story, neutrally told

Mixed · 2The second half of the second season of Rivals, the TV adaptation of Jilly Cooper's novels, returns this week, picking up after the death of Monica Baddingham (Claire Rushbrook) in a storm. Mixed · 2Collider gives the return date as 11 November on Hulu; The Independent covers it as a Disney+ show returning "this week" and describes it as six episodes, while Collider refers to Episodes 7 to 10. Mixed · 2Both reviews call the decision to split the season into two parts odd. The Independent's Nick Hilton calls it "bizarre" and suggests it was motivated by the streamer's financial model. Collider's Therese Lacson blames the "bizarre split-season release" for some pacing problems.

Mixed · 2Storylines carried into this half include Tony Baddingham (David Tennant) reeling from Monica's death, the breakdown of Declan (Aidan Turner) and Maud O'Hara's (Victoria Smurfit) marriage, the affair between Lizzie (Katherine Parkinson) and Freddie (Danny Dyer), and Gerald (Hubert Burton) and Charles (Gary Lamont) facing the Aids crisis. Mixed · 2The reviews differ most on the romance between Rupert Campbell-Black (Alex Hassell) and Taggie O'Hara (Bella Maclean). The Independent says Taggie is "utterly monochrome" and that pairing her with Rupert has "neutered the show's most fun character". Collider says Maclean "gives Taggie some teeth" and that the "will-they-won't-they" pays off in the finale. Centre · 1Collider praises Tennant's performance as Tony and Hassell's turn as a reformed rake, and says the production, including a large ball in Episode 10, a bonfire night and a party in Argentina, is "in top form". It also says the tone is darker than before and that one off-book reveal in Episode 10 is not properly foreshadowed.

Left · 1The Independent calls the show a "high-class soap opera" and an "accomplished, jolly romp" that is saucy and unafraid to lampoon Thatcherite Britain, but says its large cast leaves some relationships "a bit lost". Centre · 1Collider notes that season 2 ends where Cooper's second novel ends, that season 3 is starting production and will move to the third book, Polo, and that a character from the fourth book already appears in Episode 7. It worries the show is "buckling under the weight of its characters".

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left1 outlet

Framing
A critical review that enjoys the ensemble and satire but argues the central Rupert–Taggie romance is the show's weak point.
Emphasis
Character writing, the Taggie 'problem', the supporting storylines and the streamer's reasons for splitting the season.
Leaves out or plays down
Gives little on the production design, individual performances or what lies ahead for season 3.
Charged language
“Taggie Problem”“utterly monochrome”“neutered”
For example
“This show is developing a Taggie problem” — The Independent
“so much of this second season’s climax is wasted on Rupert and Taggie” — The Independent

Centre1 outlet

Framing
A largely enthusiastic review that praises performances, set pieces and the darker tone, with reservations about pacing and cast size.
Emphasis
Acting, production values, fidelity to Cooper's novels, and what season 3 will bring.
Leaves out or plays down
Does not criticise the Taggie character as a weakness, and does not discuss the financial reasons for the split.
Charged language
“soaring heights”“masterful performance”
For example
“Rivals Season 2 proves it can not only embrace the glitz and glamor of Cooper's world, but also forge its own path and create something new.” — Collider
“Tennant gives a masterful performance” — Collider

Right0 outlets

No right outlet in our sources has covered this story yet.

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