Skip to content
Bramble

Science

Sheffield researchers recreate colour-changing effect of Roman Lycurgus Cup

University of Sheffield scientists say they have replicated the green-to-red colour change of the 1,600-year-old Lycurgus Cup by embedding gold and silver nanoparticles in glass. A sculpture using the glass goes on show in Sheffield from 6 November.

2 outlets · 1L · 0C · 1R First reported Account updated
Image: GB News
Image: The Guardian

1 / 2

The story, neutrally told

Mixed · 2Scientists at the University of Sheffield say they have replicated the optical behaviour of the Lycurgus Cup, a fourth-century Roman glass vessel in the British Museum, using an ancient recipe derived from a fragment of the original. Mixed · 2The cup looks jade green in normal light and ruby red when lit from behind, an effect known as dichroism that has puzzled historians and glass-makers for centuries. Mixed · 2Dr Lisa Hollands, a technician in the university's school of chemical, materials and biological engineering, did the initial research with Prof Caroline Jackson, a leading Roman glass expert. Hollands called the work "a labour of love", said "people have tried it before with limited success" and described the result as "magic".

Mixed · 2The challenge was embedding gold and silver nanoparticles, each about a thousand times smaller than a grain of sand, into glass. The team made a thick molten glass, and as it cooled from well over 1,000C, gold and silver nanocrystals grew around particles within it. Mixed · 2Hollands explained that light shone through the glass has its blue and green wavelengths blocked by the particles, so only reds and oranges pass. Light reflected off the surface is scattered by the particles, which gives the opaque green. Mixed · 2The original carries a mythological frieze, carved in deep relief, of the god Dionysus triumphing over King Lycurgus, who is ensnared by a vine. An international panel named it one of the seven glass wonders of the world in 2022.

Mixed · 2Ian Freestone, emeritus professor of archaeological materials at University College London, said a similarly coloured glass was made in the 1960s, but the Sheffield work is much closer to the cup's actual green and red shades: "This is more ambitious and more precise." He said it will help show how Roman craftsmen worked. Left · 1Freestone said the colour depended heavily on where the glass sat in the furnace, which suggests the Romans would have struggled to control it. In the Guardian's account he added, "with the Lycurgus glass, they hit the jackpot". Mixed · 2Freestone also cited a theory that the red-green shift symbolised the ripening of grapes, and that the cup may have been used in a drinking ceremony. A letter attributed to the emperor Hadrian refers to "parti-coloured cups that change colour" for use at banquets on feast days.

Mixed · 2Sheffield commissioned the glass artist Elliot Walker to make a contemporary sculpture using the effect. It will be unveiled at the Millennium Gallery during the university's Festival of the Mind, 6-15 November, and will then go on permanent display at the Turner Museum of Glass.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left1 outlet

Framing
The Guardian ran it as an exclusive science feature, led by Hollands's quote that it is 'magic', with extended expert commentary.
Emphasis
Freestone's view on the Romans' difficulty controlling the colour ("hit the jackpot"), the human story of the researcher and the artist, and the Hadrian letter.
Leaves out or plays down
No notable omissions relative to the other outlet.
Charged language
“It’s magic”“labour of love”
For example
“Exclusive: Optical engineering that went into 1,600-year-old Lycurgus Cup has baffled experts for centuries” — The Guardian

Centre0 outlets

No centre outlet in our sources has covered this story yet.

Right1 outlet

Framing
GB News presented it as an 'archaeology breakthrough', a shorter rewrite built on the Guardian's reporting and quoting Hollands as telling The Guardian.
Emphasis
The achievement and the cup's mystique, with repeated lines on the colour shift. It credits the Guardian as its source for Hollands's quotes.
Leaves out or plays down
Leaves out Freestone's remarks on the furnace sensitivity and the 'jackpot' comment, and does not name the Guardian as the exclusive source in its headline.
Charged language
“Archaeology breakthrough”“wondrous Roman creation”“astonishing piece of optical engineering”
For example
“She told The Guardian the project was "a labour of love"” — GB News

Ask about this story

Loading…