Sofia Coppola discusses late mother's 'Making Marie Antoinette' documentary at London Film Festival
At a London Film Festival session on Thursday, Sofia Coppola spoke about producing 'Making Marie Antoinette', a documentary her late mother Eleanor Coppola directed from footage shot on the 2006 film. She also said she plans to return to narrative filmmaking.
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The story, neutrally told
Left · 2Sofia Coppola spoke about the documentary 'Making Marie Antoinette' at a screen talk at the London Film Festival on Thursday 8 October 2026. VarietyLC “During a screen talk at London Film Festival on Thursday, the “Lost in Translation” and “Priscilla” director opened up about the personal project, which she produced.” Read at Variety ↗ The Hollywood ReporterLC “Sofia Coppola spoke tenderly about her late mother and their family’s film legacy at a BFI London Film Festival session on Thursday afternoon.” Read at The Hollywood Reporter ↗ Left · 2The documentary was directed by her late mother, Eleanor Coppola, and draws on more than 80 hours of behind-the-scenes footage Eleanor filmed during the making of Sofia's 2006 film 'Marie Antoinette', which starred Kirsten Dunst. VarietyLC “Eleanor, who died in 2024, filmed over 80 hours of footage during the making of the movie, which starred Kirsten Dunst as the infamous Queen of France.” Read at Variety ↗ The Hollywood ReporterLC “captured over 80 hours of behind-the-scenes and on-set action” Read at The Hollywood Reporter ↗ Left · 1The Hollywood Reporter says the film was assembled by Sofia Coppola and editor Aaron Matthews with input from Eleanor's close friends, and is screening at the 70th London Film Festival, which runs 7–18 October. The Hollywood ReporterLC “assembled by Sofia Coppola and editor Aaron Matthews with input from Eleanor’s close friends, is screening here at the 70th London Film Festival”“The 70th BFI London Film Festival runs Oct. 7-18.” Read at The Hollywood Reporter ↗
Left · 2Coppola said the idea began when she and her mother were at their family home during the COVID-19 pandemic and Eleanor suggested revisiting the footage, which Sofia had never seen; the two talked about making it into a film but it did not happen then. VarietyLC ““We were all in a bubble together in our childhood home, and she said, ‘Oh, let’s get out that footage,’ and she wanted to revisit it and I’d never seen it before,” Coppola said.” Read at Variety ↗ The Hollywood ReporterLC “So we started talking about what could happen with it,” Coppola recalled, “and then she passed away a few years ago.” Read at The Hollywood Reporter ↗ Left · 2Coppola said that near the end of Eleanor's life her mother told her she wanted this film finished (The Hollywood Reporter adds she also wanted her book published), and that she felt she had to do it. VarietyLC “At the end of her life four years later, she said, “I want this film to be finished,” Coppola revealed.” Read at Variety ↗ The Hollywood ReporterLC “‘I want my book to be published, and I want this film to be finished.’ And so I felt like, ‘Okay, I have to do it.'”” Read at The Hollywood Reporter ↗ Left · 1She said she finds it embarrassing to see herself as a younger, less assertive director, and recalled dismissing her mother's filming on set, but hoped it could help young filmmakers see that directors evolve. VarietyLC “it’s embarrassing to see myself as a younger director — I’m not as comfortable being assertive with my words,” Coppola said.”“maybe that’s helpful for young filmmakers to see that there is an evolution.” Read at Variety ↗
Left · 2Coppola called it 'a gift' to see the set through her mother's eyes and to see her mother as a mother watching her, something she now understands as a parent of two almost-grown daughters. VarietyLC “It’s also a gift to spend this time seeing myself through my mom’s eyes and then seeing her as a mother, watching me” Read at Variety ↗ The Hollywood ReporterLC “Now I have almost- grown daughters. I can see it as a mother, so it was a really meaningful project for me to work on.” Read at The Hollywood Reporter ↗ Left · 2She described the 'Marie Antoinette' shoot as stressful, with days falling behind because of costume changes, and said her mother was a 'grounding presence' on set; she was granted access to film at the Palace of Versailles. VarietyLC ““Every day we were just falling behind we just didn’t realize how long it took for costume changes,””“she was granted unprecedented access to film in the Palace of Versailles” Read at Variety ↗ The Hollywood ReporterLC “she’s such a grounding presence” Read at The Hollywood Reporter ↗ Left · 1In the Hollywood Reporter's account, interviewer Edith Bowman led her through her career: Coppola said the success of 'Lost in Translation' gave her the freedom to make the big-budget 'Marie Antoinette', and that audiences at the time did not like Dunst's performance. The Hollywood ReporterLC ““You kind of get a free pass to do whatever you want,” she told interviewer Edith Bowman at London’s Royal Festival Hall.”““At the time, people did not like [Dunst’s] performance.” Read at The Hollywood Reporter ↗
Left · 2Both outlets note that 'Marie Antoinette', which divided critics on release, has become a cult classic; Variety adds that it recently marked its 20th anniversary. VarietyLC “the movie has now become a beloved cult classic.” Read at Variety ↗ The Hollywood ReporterLC “which received mixed reviews upon release but has gone on to become quite the cult classic” Read at The Hollywood Reporter ↗ Left · 2Having recently worked on two documentaries, including 'Marc by Sofia' about Marc Jacobs, Coppola said she is looking forward to returning to writing and making a narrative feature, though she gave few details. VarietyLC “Though she didn’t reveal much, she told the London crowd that she’s looking forward to making another narrative feature soon.” Read at Variety ↗ The Hollywood ReporterLC “is going back to “writing, creating, imagining the world and imagining the challenge.”” Read at The Hollywood Reporter ↗
Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.
Left2 outlets
- Framing
- Both left-leaning entertainment trade outlets report the London Film Festival talk as a warm, personal tribute to Eleanor Coppola; Variety leads on the documentary and Sofia's feelings about it, while The Hollywood Reporter leads on her return to narrative film and her wider career.
- Emphasis
- Family legacy, mother-daughter perspective, Sofia's embarrassment at her younger self, and her next project; THR adds Lost in Translation, The Virgin Suicides and Dunst.
- Leaves out or plays down
- Neither gives release or distribution details for the documentary, and neither includes any critical view of it.
- Charged language
- “tenderly”“a gift”“deliciously vibrant, sugary”“beloved cult classic”
- For example
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“It’s also a gift to spend this time seeing myself through my mom’s eyes” — Variety
“A deliciously vibrant, sugary take on the ill-fated 18th-century Queen of France” — The Hollywood Reporter
Centre0 outlets
No centre outlet in our sources has covered this story yet.
Right0 outlets
No right outlet in our sources has covered this story yet.
What every side reports
- Sofia Coppola spoke at a London Film Festival session on Thursday 8 October.
- Eleanor Coppola directed 'Making Marie Antoinette' from over 80 hours of footage she shot on the 2006 film.
- Coppola said her mother wanted the film finished before she died, and described the project as a gift.
- Coppola plans to return to writing and narrative filmmaking.
Sofia Coppola person
Presents the documentary as a meaningful tribute to her mother and fulfilment of Eleanor's wish, while admitting discomfort seeing her younger self, and says she is returning to writing a narrative feature.
“And so I felt like, ‘OK, I have to do it.'”” — Variety
“so it was a really meaningful project for me to work on.” — The Hollywood Reporter
Eleanor Coppola person
Through Sofia's account, Eleanor filmed 80+ hours on set, wanted to revisit the footage and, near the end of her life, wanted the film finished.
“Eleanor, who died in 2024, filmed over 80 hours of footage during the making of the movie” — Variety
“she passed away a few years ago. At the end of her life, she said, ‘I want my book to be published, and I want this film to be finished.’” — The Hollywood Reporter
Left2 articles
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Sympathetic Centres on Sofia Coppola's feelings about the documentary as a tribute to her mother, including her embarrassment at her younger self.

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Sympathetic Reports the whole career session, with the documentary and her return to narrative film as threads, in a warm tone.

Centre0 articles
No coverage yet.
Right0 articles
No coverage yet.
- 8 Oct 16:38 First VarietyLC Sofia Coppola on Releasing ‘Making Marie Antoinette’ as a Tribute to Late Mother Eleanor, Even Though She Finds Younger Self ‘Embarrassing’: ‘It’s a Gift’ to See ‘Through My Mom’s Eyes’
- 9 Oct 10:46 +18h 8m The Hollywood ReporterLC Sofia Coppola Plans Return to Narrative Film, But Has Her Late Mother’s ‘Making Marie Antoinette’ to See Off First
Times are when each article was published, or when we first saw it if the outlet gave no time.