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TBS outlines Legendary and CJ ENM partnerships at TIFFCOM in Tokyo

At a TIFFCOM session in Tokyo on 29 October, TBS Holdings executives explained its $150M stake in Legendary Entertainment and its Studio Monowa venture with CJ ENM. They said the aim is to make Japanese content a global genre like K-drama.

2 outlets · 1L · 1C · 0R First reported Account updated
Image: Deadline
Image: Variety

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The story, neutrally told

Mixed · 2TBS Holdings executives presented the Japanese broadcaster's strategy at TIFFCOM, the content market of the Tokyo International Film Festival, on 29 October, focusing on its tie-ups with Legendary Entertainment and South Korea's CJ ENM. Mixed · 2Deadline reports that in January 2026 TBS acquired a $150M minority stake in Legendary and signed a non-exclusive agreement to source and develop Japanese IP; Variety describes it as a $150 million equity investment earlier this year. Mixed · 2Katsuaki Setoguchi, executive officer of TBS Holdings' global business division, said the two companies' "needs matched each other perfectly": Legendary is watching Japanese IP closely and is willing to fund big-budget live-action adaptations, while TBS has long-standing relationships with creators and says its relationships with major Japanese publishers are "neutral".

Centre · 1Deadline lists Legendary's Japanese-IP projects as including Godzilla, Street Fighter, Gundam and Drops of God Season 2, and says that from this month TBS staff will work from desks in Legendary's Los Angeles offices. Mixed · 2In Asia, TBS has launched a production joint venture, Studio Monowa, with CJ ENM and Japanese streamer U-Next; Deadline says announcements on the first projects are expected soon, and Variety says it combines TBS with CJ ENM's "global standard production capabilities". Mixed · 2Setoguchi said the goal is to lift Japanese live-action drama to the global recognition of K-drama, noting that anime and manga are popular worldwide but J-content is not accepted on the same level. He said he sees his mission as establishing a new genre of J-content rather than generating profit for TBS.

Mixed · 2He recalled that Japan's drama industry was once far stronger than Korea's, citing the 2002 TBS–MBC drama Friends, and said Japan chased domestic ratings while Korea looked to global markets; Variety quotes him saying that, "to my embarrassment," he had not foreseen Korea's influence. Mixed · 2The session also covered the Ninja Warrior format. Variety, citing Shinya Watanabe, president of TBS Holdings' global business division, reports local adaptations in 25 countries, reach in 170 countries, and American Ninja Warrior renewed through Season 20. Partners Banijay, ITV Studios and RTL spoke by video, and Banijay's James Townley said the show would be a major focus across Europe next year. Mixed · 2Variety adds that TBS is developing new IP such as the skateboarding show Kasso, has ambitions for The Seven studio through 2030 and 2040, including in Africa, and plans European bases. TIFFCOM runs 28–30 October at the Tokyo Metropolitan Industrial Trade Center.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left1 outlet

Framing
Variety presents a detailed session report, with Ninja Warrior as a template for Japanese IP and TBS's global ambitions.
Emphasis
Ninja Warrior reach (25 countries, 170 countries), Kasso, The Seven's long-term ambitions including Africa, and Watanabe's remarks.
Leaves out or plays down
Does not mention the Legendary projects (Street Fighter, Gundam, Godzilla), the LA desks, or the 2002 Friends drama.
For example
““Ninja Warrior” is providing something of a template for new IP such as “Kasso,”” — Variety

Centre1 outlet

Framing
Deadline leads on the deal strategy: why TBS partnered with Legendary and CJ ENM, and the Japan–Korea history.
Emphasis
Legendary's Japanese-IP slate, TBS staff in LA, the Friends history, and the Japan versus Korea comparison.
Leaves out or plays down
Leaves out Watanabe's Ninja Warrior figures, Kasso and the African ambitions.
For example
“Japan pursued domestic viewer ratings, while Korea looked at global markets, and those decisions have shaped today’s reality.” — Deadline

Right0 outlets

No right outlet in our sources has covered this story yet.

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