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The Influencer Project: found-footage horror gets lukewarm reviews

Reviews of the found-footage horror film The Influencer Project, which opens in theaters on 2 October, find it short on scares and depth. Screen Rant calls it disappointing, and Variety calls it mediocre.

2 outlets · 1L · 1C · 0R First reported Account updated
Image: Screen Rant
Image: Variety

1 / 2

The story, neutrally told

The Influencer Project is a found-footage horror film that follows Chiara King, a British social media personality playing a version of herself, as she is stalked by a masked figure on a trip to Copenhagen. It is Mike Nybroe's debut feature. Nybroe also plays the cameraman Mike, and Blair Witch Project co-director Eduardo Sanchez is a producer. The film opens with a text saying it is influenced by real events. Screen Rant notes that King has spoken publicly about stalkers she has encountered, though the plot itself is fictional.

In the story, an account called "King Slayer" posts threats and tracks King in public. The situation escalates to a police report, an ex-military security expert, and a climax in an empty warehouse. Both reviewers say it fails as horror. Screen Rant says it has "weak scares" and that virtually every attempt at fear falls flat, while Variety says it is "isn’t terribly scary" apart from a few tolerable jump scares. Both also find its treatment of influencer culture shallow. Screen Rant says the film touches on fame, validation and influencers' responsibility for their own stalking but backs away from hard questions. Variety says the unmasked villain's speech about influencers corrupting young minds has been heard before.

Variety is somewhat more generous on craft. It calls the film "decently crafted", says King is competent and likable, and says it meets basic genre expectations. It blames the dance-heavy soundtrack for lessening suspense. Screen Rant says Too much of the runtime is spent on sponsorship talk and poorly executed chase scenes. The film opens in theaters on Friday 2 October.

Every sentence links to the reporting it rests on.

Left1 outlet

Framing
Variety's review is a wry, mixed-to-negative verdict on a competent but forgettable imitation of the Blair Witch template.
Emphasis
Craft, plot implausibility, the lead's lack of impact and the soundtrack.
Leaves out or plays down
Does not discuss King's real-life experience of stalking as a source of the premise.
Charged language
“tepid”“lands smack in the mediocre middle”
For example
“this opus lands smack in the mediocre middle of umpteen forgettable imitations churned out ever since.” — Variety

Centre1 outlet

Framing
Screen Rant frames the film as a missed opportunity: a timely premise tied to King's real experiences that is undercut by weak scares and shallow themes.
Emphasis
Themes of online fame and stalking, and the film's failure to engage them or to frighten.
Leaves out or plays down
Gives little on plot specifics, cast or crew beyond King, and does not name the director.
Charged language
“Disappointing”“falls completely flat”
For example
“There’s simply nothing scary about this movie” — Screen Rant

Right0 outlets

No right outlet in our sources has covered this story yet.