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New trailer released for Beth de Araújo's 'Josephine' with Channing Tatum and Gemma Chan

A new trailer has been released for Beth de Araújo's Sundance-premiered drama 'Josephine', in which Channing Tatum and Gemma Chan play parents of a girl who witnesses an assault. It opens in theaters on 20 November.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: IndieWire
Image: The A.V. Club

1 / 2

The story, neutrally told

Left · 2A new trailer has been released for Josephine, the second feature from writer and director Beth de Araújo, starring Channing Tatum and Gemma Chan. Left · 2Tatum and Chan play parents whose young daughter, Josephine, played by newcomer Mason Reeves in her acting debut, witnesses an assault in a San Francisco park. Left · 1The A.V. Club gives the official logline: the film follows the psychological fallout after eight-year-old Josephine witnesses a brutal crime in Golden Gate Park, as her parents struggle to help her cope while facing the moral responsibility of demanding justice.

Left · 1According to the A.V. Club, the trailer shows Josephine taking the stand to testify, and her father Damien (Tatum) training her in the park where she sees the crime, while Damien and Claire (Chan) grapple with her well-being and the family's safety. Left · 1IndieWire reports that the inciting incident is loosely based on something that happened to de Araújo when she was young. Left · 2The film premiered at Sundance, where, per the A.V. Club, it won the Grand Jury Prize and Audience Award, and it has since played the festival circuit, including TIFF.

Left · 1De Araújo told IndieWire at TIFF that the project went from a first draft in 2014 through a 2018 revision at the Sundance Labs, and that Reeves was cast only six weeks before shooting. Left · 2Both outlets quote their own critics praising the film: IndieWire's Kate Erbland calls it a steady accumulation of dread, and the A.V. Club's Jacob Oller calls it "harrowing, critical, and undeniably powerful." Left · 2Josephine opens in select theaters on 20 November, and the A.V. Club says it goes nationwide on 4 December.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Both outlets treat the trailer as promotion for an acclaimed film, leading with the parents' ordeal and de Araújo's craft, and quote their own critics' praise.
Emphasis
IndieWire stresses the director's background, the film's personal origin and her TIFF comments; the A.V. Club stresses the trailer's content, the logline, awards and release dates.
Leaves out or plays down
IndieWire omits the nationwide date and the Sundance awards; the A.V. Club omits the film's personal origin and development history.
Charged language
“wrenching horror”“anxiety-riddled”“harrowing, critical, and undeniably powerful”
For example
“Araújo remains undefeated when it comes to making stunning films that I will both heartily recommend and never, ever watch again.” — IndieWire
“has received near-universal acclaim for its performances and its sense of tension and introspection” — The A.V. Club

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