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V/H/S/Mixtape, music-themed horror anthology, reviewed as Beyond Fest 2026 screens it

Reviews of V/H/S/Mixtape, the latest music-themed entry in the V/H/S horror anthology series, call it uneven. /Film praises its theme and best segments, while The Guardian finds it a mixed bag that would struggle to frighten a toddler.

2 outlets · 1L · 1C · 0R First reported Account updated
Image: /Film
Image: The Guardian

1 / 2

The story, neutrally told

Mixed · 2V/H/S/Mixtape, the latest entry in the long-running V/H/S horror anthology series, was reviewed on 6 October 2026, with /Film covering it from Beyond Fest 2026. Centre · 1/Film says the franchise now has nine films produced over 14 years, and that the film is streaming on Shudder from 9 October 2026. Mixed · 2Its theme is music and sound, and the metal band GWAR appear as hosts of the linking segments.

Centre · 1/Film says the wraparound is directed by Flying Lotus and set in a fictional vintage MTV-style programme. It also credits Tobias Forge's music video "Premature Burial" and RZA's "Death Tone", the latter co-directed with Matt Landsman. Mixed · 2Both reviews name the segments Dance, Dance, Dance, Dance (Renee Zhan, with puppets from Jim Henson's Creature Shop), The Music of Mr Sze (Ernest Dickerson), Death Tone (RZA), Heartbeat (David Moreau) and Another Cabin (Flying Lotus). Centre · 1/Film judges it perhaps not the series' best entry but the one with the best theme so far, and says the series has found a comfortable groove. It praises Dance, Dance, Dance, Dance and Death Tone as the strongest segments, while finding The Music of Mr. Sze, Heartbeat and Another Cabin sit awkwardly in the sequencing.

Left · 1The Guardian's Leslie Felperin calls it a "mixed bag" and a "ragbag of shorts" with thin connective tissue, and says the five segments vary significantly in length and quality. The review finds Dance, Dance, Dance, Dance drags but has a reasonable gags-to-gore ratio, The Music of Mr Sze beautiful but thinly written, Death Tone repetitive and Heartbeat "snoozy". Left · 1The Guardian says the practical effects are over the top, rubbery and absurd, so much so that they would struggle to frighten a toddler. It adds that the film is not really for children given its warped humour. Centre · 1/Film also notes that a tenth V/H/S film has been announced as a collaboration with the SCP Foundation, and says it worries the series may change direction again.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left1 outlet

Framing
A sceptical, wry review that treats the film as an uneven ragbag of gory shorts and mocks how toothless the horror is.
Emphasis
Segment-by-segment verdicts, thin writing, repetitive jokes and rubbery effects.
Leaves out or plays down
Does not discuss the franchise's history, the theme as a strength, or the Shudder release date and the planned tenth film.
Charged language
“ragbag”“snoozy”“mixed bag”
For example
“a decidedly diverse ragbag of shorts, strung together with the thinnest of connective tissue” — The Guardian
“Heartbeat is a snoozy riff on a theme from Edgar Allan Poe” — The Guardian

Centre1 outlet

Framing
A fan-friendly franchise review that presents the film as the series settling into a reliable thematic groove.
Emphasis
Franchise history, the music theme, the GWAR wraparound, the standout segments and worry about the tenth film.
Leaves out or plays down
Says little about weak spots in the individual segments beyond sequencing and pacing, and does not mention the gore or the humour not landing.
Charged language
“finds its groove”“fabulous work”“nasty, clever little tale”
For example
“it's the one that feels like it has the best theme so far” — /Film
“results in some fabulous work” — /Film

Right0 outlets

No right outlet in our sources has covered this story yet.