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Victorian Psycho reviews split: dull bore at A.V. Club, bloody fun at Screen Rant

Reviews of Victorian Psycho, a period slasher starring Maika Monroe, opening 13 November 2026, divide over whether its playful gore works. Both praise Monroe and criticise its thin plot.

3 outlets · 2L · 1C · 0R First reported Account updated
Image: The A.V. Club
Image: Screen Rant
Image: IndieWire

1 / 3

The story, neutrally told

Mixed · 2Victorian Psycho is a mid-1800s horror-comedy directed by Zachary Wigon, with a screenplay by Virginia Feito adapting her own novel, and it opens in theaters on 13 November 2026. Mixed · 2Maika Monroe plays Winifred Notty, a governess who arrives at Ensor House to look after the children of Mr. Pounds (Jason Isaacs) and Mrs. Pounds (Ruth Wilson), played by Jacobi Jupe and Evie Templeton, while Thomasin McKenzie plays the maid Ms. Lamb. Left · 1The A.V. Club's Jacob Oller gives a negative verdict, calling the film a "painful bore" whose zany gore is neither clever nor gruesome enough to shock, and arguing that Monroe, though committed, is left stranded.

Left · 1Oller faults the constant voiceover, the chapter structure and Wigon's repeated stylistic flourishes for undercutting tension and carnage, and says the film lacks rhythm and intensity. Centre · 1Screen Rant's Alex Harrison is positive, calling it "Bloody Fun" and praising its unsettling set pieces, its cast having fun with the period trappings, and Monroe, whom Harrison calls "the movie's best special effect". Mixed · 2Both reviewers say the film hints at larger themes without developing them: Oller calls them "whispers of ideas", while Harrison says it "politely declines to latch onto" them.

Centre · 1Harrison also says the film is weaker as a narrative and would have benefited from a more structured plot, and that it is more indebted to Mary Harron's American Psycho than to Hitchcock's Psycho but lacks that film's satirical commitment. Mixed · 2The reviews compare the film to different touchstones: the A.V. Club to Yorgos Lanthimos and Emerald Fennell's Wuthering Heights, Screen Rant to Jane Eyre and The Turn of the Screw.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
A negative review that leads with the film being a bore and unfavourably compares it to Patrick Bateman and American Psycho.
Emphasis
Weak tension, overused style, constant voiceover, and a performance wasted on a thin script.
Leaves out or plays down
Gives little credit to the supporting cast or the unsettling set pieces Screen Rant highlights.
Charged language
“painful bore”“neuters the carnage”
For example
“goes for zany gore but the result is only a painful bore.” — The A.V. Club
“trips up the tension and neuters the carnage” — The A.V. Club

Centre1 outlet

Framing
A broadly positive review that treats the film as playful entertainment and a showcase for Monroe, with reservations about story.
Emphasis
Fun set pieces, Monroe's performance, and the cast; notes weaker narrative and a concern about Jacobi Jupe's casting in the tonal shift.
Leaves out or plays down
Does not dwell on pacing or the repetitiveness of the voiceover that the A.V. Club criticises.
Charged language
“Bloody Fun”“the movie's best special effect”
For example
“this playful period horror movie is creepy, funny, and a showcase for Maika Monroe.” — Screen Rant
“Victorian Psycho deserves a lot of credit for not taking itself very seriously.” — Screen Rant

Right0 outlets

No right outlet in our sources has covered this story yet.

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