Weta FX, Netflix and a Korean director discuss AI in film production at Busan
At Netflix's Creative Asia day at the Busan International Film Festival, Weta FX CTO Kimball Thurston, Netflix's APAC production director and director Kang Yoon-sung described efficiencies and limits of AI tools. Netflix said it has used AI on about 300 titles, and Kang put the savings on one film at 30-40%.
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The story, neutrally told
Mixed · 2Kimball Thurston, chief technology officer of Weta FX, Korean director Kang Yoon-sung and Netflix's senior director of APAC production discussed the strengths and limits of AI tools in production at the Busan International Film Festival. DeadlineN “discussed the advantages and limitations of using AI tools in production workflows during Netflix’s Creative Asia day at Busan International Film Festival.” Read at Deadline ↗ VarietyLC “Lee shared the stage with Kang and Kimball Thurston, chief technology officer at Wētā FX, for “Film Production and AI: New Tools, New Possibilities.”” Read at Variety ↗ Mixed · 2Variety reported that Netflix and the MPA co-hosted the session, which was part of Creative Asia, the Netflix and BIFF programme for emerging Asian talent, and that critic Yun Sung-eun moderated; the Netflix executive is named Sung Q Lee by Deadline and Lee Sung-gyun by Variety. VarietyLC “Netflix and the MPA co-hosted the session. It was part of Creative Asia, the Netflix and BIFF program for emerging Asian talent. Film critic Yun Sung-eun moderated.” Read at Variety ↗ DeadlineN “Netflix’s APAC Senior Director, Production, Sung Q Lee” Read at Deadline ↗ Mixed · 2According to Variety, the Netflix executive said AI had been used on around 300 Netflix titles, in previsualisation, production design, set-dressing concepts, editorial and VFX; Deadline reported use in previsualisation, editorial and VFX. VarietyLC ““Across around 300 Netflix titles, AI has actually been put to use in various ways,” Lee said.” Read at Variety ↗ DeadlineN “Netflix’s Sung said the streamer is using the technology for pre-visualization, editorial and VFX” Read at Deadline ↗
Mixed · 2He said Netflix works under strict internal guidelines and is not chasing speed or AI for its own sake, and that the human touch remains essential. DeadlineN “We have strict guidelines within the company. We’re not just chasing after the use of AI for the sake of it” Read at Deadline ↗ VarietyLC “I strongly agree that a human touch is absolutely essential.” Read at Variety ↗ Mixed · 2Netflix showed a reel from its VFX studio Eyeline; Variety added that a second clip showed AI and VFX producing large crowd scenes for the Netflix India title "Glory" that would normally have been dropped under tight budgets and schedules. DeadlineN “After playing a showreel of work done by Netflix’s VFX subsidiary Eyeline Studios” Read at Deadline ↗ VarietyLC “A second clip showed AI and VFX together producing large crowd scenes for the Netflix India title “Glory.”” Read at Variety ↗ Mixed · 2Kang, who co-directed "Run to the West", described as Korea's first AI-assisted feature, said AI lets genre films overcome budget limits; for his upcoming Netflix film "The Gulf of Aden" he said the saving was about 40% (Deadline quoted him as 30-40%), from simpler shooting and a shorter production period as well as lower CGI costs. DeadlineN “we were able to make savings of 30-40% by using AI,” Kang said.” Read at Deadline ↗ VarietyLC “it came to an actual reduction of around 40%,” Kang said.” Read at Variety ↗
Left · 1Variety reported that Kang's "Gulf of Aden" test clip was made entirely with AI using the Chinese software Kling at reduced quality, and that current tools can output 4K at 10-bit colour or higher. VarietyLC “His test clip for “The Gulf of Aden,” a film built around military operations at sea, was made entirely with AI earlier this year using Kling, the Chinese software.” Read at Variety ↗ Mixed · 2Kang said he does not think AI can currently replace actors because it struggles to convey human emotion, and told Variety that the emotional quality of AI footage has arguably worsened even as image quality is very high, because it removes collaborative input. DeadlineN “will the technology be able to convey real human emotions to the audience? We’re still in the transition phase, but right now, I don’t think so.”” Read at Deadline ↗ VarietyLC “when it comes to delivering emotion and moving audiences, I think we’re in a period where it has actually gotten worse,”” Read at Variety ↗ Mixed · 2Thurston said Weta uses AI at a measured pace, for image clean-up and for generating motion in crowd scenes rather than generating images, and that problems remain, notably colour range: models trained on video may not render the right shade of red. DeadlineN “We’ve been growing it at a measured pace; using using it for image clean-up; not necessarily for generating images” Read at Deadline ↗ VarietyLC “you’re not getting the right red for a Coca-Cola can,” Thurston said.” Read at Variety ↗
Mixed · 2Thurston called for better interfaces than text prompts for visual artists and for more collaboration between technology companies and creatives, and said the point is not to replace actors. DeadlineN “We need better interfaces – for a visual artists, a text-based prompt is not the best way to interact with this technology.”” Read at Deadline ↗ VarietyLC ““The point is not to replace actors, right? No way,” he said.” Read at Variety ↗ Left · 1Variety added that Thurston described the denoiser behind his second Academy Scientific and Technical Award as "assistive AI", said Weta has used machine learning for at least a decade, and said Weta is building an open-source tool with the Academy Software Foundation to track AI use and provenance, designed to link with initiatives such as C2PA. VarietyLC “Thurston said Wētā is building an open-source tool through the Academy Software Foundation to track AI use and provenance, designed to link with initiatives such as C2PA.” Read at Variety ↗ Mixed · 2On sustainability, asked about AI's water use, the Netflix executive said the issue should be seen in the broader context of reaching net zero; Variety reported he said Netflix looks at it company-wide and doesn't study AI separately, while Thurston said Weta's Wellington data centre uses closed-loop cooling and draws "zero liters of water per year". DeadlineN “we need to talk about the bigger picture beyond just AI, to achieve net zero we need to look at a range of issues” Read at Deadline ↗ VarietyLC “now draws “zero liters of water per year.”” Read at Variety ↗
Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.
Left1 outlet
- Framing
- Variety leads with the numbers: Netflix's use of AI on some 300 titles and a possible budget cut of up to 40%, then gives a detailed, balanced account of the session.
- Emphasis
- Netflix's scale of AI use, cost savings, Kling-made test clip, provenance tooling and water use, alongside the repeated stress on human touch.
- Leaves out or plays down
- Does not report Thurston's call for better interfaces than text prompts or for tech companies to collaborate more with creatives.
- Charged language
- “A Human Touch Is Absolutely Essential”
Centre1 outlet
- Framing
- Deadline leads with Thurston's view that AI brings efficiencies but has limitations and that tech companies should collaborate more with creatives.
- Emphasis
- Limits of current tools, interfaces, creative choice over full AI generation, and the speakers' agreement on benefits and limits.
- Leaves out or plays down
- Does not mention the 300-title figure, the Kling test clip, Weta's provenance tool or its data-centre water claim.
Right0 outlets
No right outlet in our sources has covered this story yet.
What every side reports
- The panel took place at Netflix's Creative Asia day at the Busan International Film Festival with Thurston, Kang and a Netflix APAC production director.
- Speakers said AI brings efficiencies but that human emotion and the human touch remain essential and actors should not be replaced.
- Kang said AI cut the cost of 'The Gulf of Aden' by roughly 30-40%.
- Thurston flagged colour accuracy as an unsolved problem for AI models.
Where accounts differ
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Size of the budget saving cited by Kang
- Left
- Variety quotes Kang as saying about a 40% reduction for 'The Gulf of Aden' and headlines 'up to 40%'.
- Centre
- Deadline quotes Kang as saying savings of 30-40%.
Kimball Thurston person
Says Weta uses AI at a measured pace as assistive tooling, wants better interfaces and more collaboration with creatives, and rejects replacing actors.
“We need better interfaces – for a visual artists, a text-based prompt is not the best way to interact with this technology.”” — Deadline
“It is basically not allowed to change the creative intent in any way,”” — Variety
Netflix organisation
Through its APAC production director, says it uses AI on about 300 titles under strict internal guidelines, is not chasing speed, and that the human touch is essential.
““If you’re asking about speed, I’d like to say that we’re not wildly obsessed with it,” he said.” — Variety
Kang Yoon-sung person
Says AI cuts budgets by 30-40% and widens genre filmmaking but cannot yet replace actors or deliver emotion.
“AI can now extend creative possibilities.”” — Deadline
“Even if AI acting becomes very sophisticated and imitates very precisely, emotion doesn’t come through because of its mechanical coldness.”” — Variety
Left1 article
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Neutral Detailed panel report led by Netflix's 300-title figure and Kang's cost-saving claim, with emphasis on human touch.

Centre1 article
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Neutral Reports the panel as a balanced discussion of AI's efficiencies and limitations, led by Thurston's call for collaboration.

Right0 articles
No coverage yet.
- 10 Oct 11:04 First DeadlineN AI Tools Bring Efficiencies But Have Limitations, Says Weta CTO Kimball Thurston: “Tech Companies Should Collaborate More With Creatives”
- 10 Oct 11:09 +4m VarietyLC AI Can Cut Film Budgets by Up to 40%, Says ‘The Outlaws’ Director Kang Yoon-sung, as Netflix Reveals Use on 300 Titles: ‘A Human Touch Is Absolutely Essential’
Times are when each article was published, or when we first saw it if the outlet gave no time.