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Whalefall director Brian Duffield on making the sperm whale survival thriller

As "Whalefall" opened in US theaters on 16 October, director Brian Duffield told IndieWire and Deadline how the film was researched and built, and how its father-son story anchors the survival plot.

3 outlets · 2L · 1C · 0R First reported Account updated
Image: IndieWire
Image: Deadline
Image: Variety

1 / 3

The story, neutrally told

Mixed · 2Whalefall, adapted from Daniel Kraus's novel, opened in theaters on Friday 16 October. Mixed · 2It follows a scuba diver, Jay Gardiner (Austin Abrams), who is swallowed by a sperm whale and has about an hour of oxygen to escape. Deadline says he ends up there after going to find the remains of his father Mitt (Josh Brolin), who died by suicide by drowning after a mesothelioma diagnosis. Left · 1Duffield told IndieWire he found the project through a post by Kraus on X, contacted the author, and, after reading the novel, told him he would do anything to be part of it. The two then co-wrote the screenplay.

Left · 1To make the premise feel plausible, Duffield said he worked with production designer Ramsey Avery, the visual effects team and whale experts. They studied autopsy videos of a beached sperm whale and of a large squid, and he acknowledged liberties taken mostly for safety reasons. Centre · 1Deadline, which visited the set at Radford Studios in Los Angeles in September, reports that the film used a life-sized whale stomach. Weta Workshop built several stomach models in New Zealand, while the head, throat, esophagus and larynx were built in California; StudioArt & Technology made the 12-foot-tall, 18-foot-long head. Centre · 1Visual effects supervisor Guillaume Rocheron rigged LED lighting in the stomach to render as bioluminescence. Duffield said cameras and lenses broke "nonstop", and that the crew built scenes around the one spot the camera could fit.

Centre · 1The crew also redesigned the diving regulator to be as small as possible so that Abrams's mouth shape would show and he could talk to himself in the stomach. Centre · 1Duffield, Kraus and others involved stressed that the whale is not the villain: Duffield said it is an animal pursuing a squid, and Deadline says orcas attacking the whale are the antagonists and the trigger for the climax. Centre · 1Kraus said the book grew from a viral video of a kayaker in a whale's mouth, and that he wanted to know whether being swallowed could be portrayed in a scientifically accurate way. He consulted three whale experts recommended by author Mary Roach.

Centre · 1Duffield said the father-son relationship drew him to the project, and that Jay's journey includes making peace with his dead father. He joked that the film's summary is that "men would rather get swallowed by a sperm whale than go to therapy."

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
IndieWire's podcast-based feature treats the film as a craft story: how a ridiculous premise was made believable through research and realism.
Emphasis
Duffield's origin story with Kraus, his research (autopsy and endoscopy videos, whale experts) and the aim of making the premise feel plausible.
Leaves out or plays down
Says little about the father-son theme, the cast, the practical set build or the plot.
Charged language
“instruction manual”
For example
“Our job was to make you really stressed out by how realistic it is.” — IndieWire
“this movie’s kind of an instruction manual on what to do.” — IndieWire

Centre1 outlet

Framing
Deadline's spoiler-flagged set-visit piece puts the emotional core first: a father-son story of closure, told through a survival tale.
Emphasis
Production engineering (Weta stomach builds, LED bioluminescence, redesigned regulator), Kraus's research, and the whale as a non-villain.
Leaves out or plays down
Does not discuss the autopsy-video research or the realism-versus-safety trade-offs that IndieWire highlights.
Charged language
“harrowing predicament”
For example
“Austin Abrams’ Jay Gardiner finds himself in quite the harrowing predicament trapped in a whale’s stomach” — Deadline
“part of Austin’s journey is making peace with his dad, who is dead at the start of the movie.” — Deadline

Right0 outlets

No right outlet in our sources has covered this story yet.

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