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Myanmar resistance documentary 'White Tiger Column' to open IDFA in Amsterdam

'White Tiger Column', a debut documentary by three Canadian filmmakers embedded with a People's Defense Force training camp in Myanmar, premieres as the opening film of IDFA in Amsterdam.

2 outlets · 2L · 0C · 0R First reported Account updated
Image: The Hollywood Reporter
Image: Variety

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The story, neutrally told

Left · 1'White Tiger Column', a documentary about young recruits training with Myanmar's resistance, gets its world premiere in the International Competition of the International Documentary Film Festival Amsterdam (IDFA) and opens the festival on Friday 13 November; the festival runs through 22 November. Left · 1The film is the debut feature of Canadian filmmakers Robert Mentov, Dwight Jantzi and Bryan Dickie, and Lightwood Green is handling world sales. Left · 2It follows Gen Z volunteers, until recently students, teachers and tour guides, through 45 days of makeshift training in a secret jungle camp before they go to the front line to face the military junta.

Left · 2Dickie, a photojournalist, said the project grew from the 2021 coup and requests from the Burmese diaspora in Canada to document the story; he made an extended research trip before production began in January 2024, and Variety says the team spent six weeks on the ground embedded with a People's Defense Force regiment. Left · 1The trio had previously collaborated on the 2025 hybrid short 'Paradise Heights', featuring members of Toronto's Burmese diaspora, and were then invited to observe the training camp. Left · 1The directors told Variety they used an observational approach, with long lenses, a locked-off tripod and no talking heads or extensive voice-over, and chose not to show explicit violence: 'a war film that didn't show war', in Dickie's words.

Left · 1Jantzi said Myanmar gets little attention in Europe and the West and is politically complex, with over 135 ethnicities and many ethnic militias, and described the People's Defense Force movement as 'a pure revolution' in which groups unite against the military. Left · 1Dickie said the film focuses on universal themes such as sovereignty, freedom and missing home rather than explaining Myanmar's history, and that the recruits he speaks to weekly are still fighting in the jungle and being bombed from the air. Left · 1Variety ties the film to youth-led political movements elsewhere, citing Brazil, Serbia and the US; Dickie said 'Revolution is on the lips of a lot of people', and Jantzi said the filmmakers hope it is a portrait of what revolution could look like around the world.

Left · 1The film is produced by Tom Edgerton for Lightwood Green in co-production with Nocte Films and Rugio!.

Every sentence links to the reporting it rests on. The pill in front of each says where its sources sit: Left, Centre or Right when one side supplies at least half of them, Mixed when they are evenly split. The number is how many outlets it cites.

Left2 outlets

Framing
Both entertainment trade outlets present the film as a festival launch piece built on the directors' own words: The Hollywood Reporter as an exclusive first look centred on Gen Z recruits, Variety as an interview linking the film to youth movements worldwide.
Emphasis
The recruits' youth and ordinary lives (pop songs, TikTok, calls home), the directors' access and approach, and the idea of revolution as a universal theme.
Leaves out or plays down
Neither outlet gives an outside view of the People's Defense Force or the junta, or any criticism of the filmmakers' sympathetic portrayal; the war's wider course is only briefly mentioned.
Charged language
“pure revolution”“Gen Z preps for Revolution”“a very pure grassroots revolution”“so beautiful”
For example
“Left! Right! Left right! Watch Gen Z in the jungles of Myanmar prepare for revolution right here – and find out what they really want.” — The Hollywood Reporter
““Although it is a beautiful revolution, at the end of the day, it is a revolution.” — Variety

Centre0 outlets

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Right0 outlets

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